The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

162 Performances · 2000–2026

Cyntia Palacios & Sebastian Bolivar

Cyntia Palacios · Sebastian Bolivar

In 49% of their Performances, Cyntia Palacios & Sebastian Bolivar danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 126 of 162 Performances. The line is the average couple.

The periods they dance most

Share of the 102 Performances whose record we can date.

  • D'Arienzo · Faster with Polito 1938–193928%
  • D'Arienzo · Slowing down 1940–194424%
  • D'Arienzo · Late years 1957–197613%
  • Pugliese · Mature style 1950–195413%
  • Di Sarli · Melodic 1942–194913%

Their records

  1. Selección de tangos

    Juan D'Arienzo · Instrumental

    11 dances
    1972
  2. Meta fierro

    Juan D'Arienzo · Alberto Echagüe

    7 dances
    1939
  3. Carancho

    Juan D'Arienzo · Juan Carlos Lamas

    5 dances
    1942
  4. Raza Criolla

    Osvaldo Pugliese

    5 dances
    1945
  5. Ojos negros

    Osvaldo Pugliese

    5 dances
    1972
  6. Gallo ciego

    Osvaldo Pugliese · Instrumental

    5 dances
    1959
  7. Comme il faut

    Carlos Di Sarli

    4 dances
    1955
  8. Motivo sentimental

    Carlos Di Sarli · Alberto Podestá

    4 dances
    1944

Couples who dance most like them

  • 96% alike
  • 96% alike
  • 95% alike
  • 95% alike

Their other partners here

  • 35
  • 22
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.