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Tango in 1979

In 1979, tango recording activity is documented in a year listing that includes sessions by the orchestras of Armando Pontier with Roberto Goyeneche, Osvaldo Pugliese, and Osvaldo Fresedo, among others [1]. Also that year, Osvaldo Pugliese's orchestra toured Japan for Min-On [4], and Susana Rinaldi presented a Barclay-produced album at the Olympia in Paris [3].

The sources gathered for 1979 consist mainly of a recording listing for the year [1]. They are supplemented by biographical articles on Roberto Goyeneche [2], Susana Rinaldi [3], and Astor Piazzolla [5][6], a record of tango tours organised in Japan by Min-On [4], and an article on the Proceso de Reorganización Nacional [7].

The recording listing gives full session dates for several orchestras and year-only dates for other artists [1]. Exact dates appear for Armando Pontier with Roberto Goyeneche in May and June, Osvaldo Pugliese between September and December, Osvaldo Fresedo in October and November, and Hernán Salinas in October [1]. Year-only entries appear for José Canet with Nelly Omar, Miguel Villasboas, Susana Rinaldi, Héctor Varela with Tita Merello, and Florindo Sassone [1]. A Goyeneche discography separately lists an album, Con alma (1979), made with the orchestra of Armando Pontier for RCA [2].

Outside the studio, Osvaldo Pugliese's orchestra made the tenth Min-On tango tour of Japan in 1979 [4]. Susana Rinaldi's album was presented at the Olympia in Paris that year [3]. An article on the Proceso de Reorganización Nacional states that Almendra, at the end of 1979, and Mercedes Sosa, in 1982, were the first musicians to return to the stage [7].

Stage, film and touring

Osvaldo Pugliese's orchestra toured Japan for Min-On in 1979 [4]. The Min-On history counts it as the tenth Min-On tango tour [4]. The same source states that Pugliese later chose Min-On for his 1989 farewell tour [4].

An article on Susana Rinaldi states that an album whose title alluded to her two homelands, ending in «París», was produced by Barclay [3]. According to the same article, it was presented at the Olympia in Paris in 1979 [3]. The article also mentions a musical created in 1979 by Julio Tahier [3]. It states that the work was so successful that tickets stayed sold out for two years in Buenos Aires and Mar del Plata [3]. It further reports that Tahier said to director Manuel González Gil, «Qué linda obra hiciste» [3]. The excerpt does not make clear how this production related to Rinaldi [3].

The Spanish-language article on Astor Piazzolla lists El infierno tan temido by Raúl de la Torre with the year 1979 [6]. The excerpt does not state the nature of Piazzolla's involvement [6]. A separate Piazzolla biography states that in 1979, once again with his quintet, he introduced a work [5]. Its title is cut off in the available excerpt [5].

An article on the Proceso de Reorganización Nacional states that Almendra, at the end of 1979, and Mercedes Sosa, in 1982, were the first musicians to return to the stage [7].

Recordings: Armando Pontier with Roberto Goyeneche

A Goyeneche discography lists Con alma (1979) with the orchestra of Armando Pontier, released by RCA [2]. The recording listing for 1979 gives Pontier-Goyeneche sessions on 22 May, 5 June and 7 June [1]. Recorded on 22 May 1979:

  • Casas viejas (tango) [1]
  • Caserón de tejas (vals) [1]
  • El encopao (tango) [1]
  • Mariposita (tango) [1]

Recorded on 5 June 1979:

  • No aflojés (tango) [1]
  • Preparate pa'l domingo (tango) [1]
  • Temblando (vals) [1]

Recorded on 7 June 1979:

  • Carrillón de la Merced (tango) [1]
  • Griseta (tango) [1]
  • Margo (tango) [1]

Recordings: Osvaldo Pugliese

The listing gives two 1979 sides by Osvaldo Pugliese with the singer Abel Córdoba [1]:

  • Caminito (tango), 5 September 1979 [1]
  • Corazón, no le hagas caso (tango), 5 December 1979 [1]

The listing also gives a group of Pugliese sides dated 27 December 1979 [1]:

  • Berretín (tango) [1]
  • Desde el alma (vals) [1]
  • Madrugados bien temprano (tango) [1]
  • Mi noche triste (tango) [1]
  • Parlamento (tango) [1]

Desde el alma appears twice in the listing under the same work code, once with the full date and once with the year only [1].

Recordings: Osvaldo Fresedo

The listing gives Osvaldo Fresedo sessions across three dates in late 1979 [1]. Recorded on 30 October 1979:

  • El Once (tango), also listed as El Once (A divertirse) [1]
  • La cumparsita (tango) [1]
  • Ojos negros (tango) [1]
  • Por qué? (tango), also listed as Porque [1]

Recorded on 31 October 1979:

  • El entrerriano (tango) [1]
  • La cachila (tango) [1]

Recorded on 6 November 1979:

  • El espiante (tango) [1]
  • El pibe de la paternal (tango) [1]
  • La viruta (tango) [1]
  • Mi refugio (tango) [1]

Two of the 30 October entries appear in the listing under two title forms with a single work code each [1]. These are recorded below as variant titles [1].

Recordings: José Canet with Nelly Omar

The listing gives the following recordings by José Canet with Nelly Omar, dated to 1979 without a day or month [1]:

  • A Guaminí (vals) [1]
  • Catedral al sur (milonga) [1]
  • Corazón de oro (vals) [1]
  • Derecho viejo (tango) [1]
  • El africano (tango) [1]
  • Era en otro Buenos Aires (tango) [1]
  • Latido tras latido (vals) [1]
  • Milonga de Jacinto Chiclana, also listed as Jacinto Chiclana (milonga) [1]
  • Nobleza de arrabal (tango) [1]
  • Señor de galerita (canción) [1]
  • Yo no sé porque te quiero (tango) [1]

Recordings: other artists

Hernán Salinas recorded the following sides on 24 October 1979, according to the listing [1]:

  • Desvelo, also listed as De flor en flor (tango) [1]
  • Garúa (tango) [1]
  • Golondrinas (tango) [1]
  • Trenzas (tango) [1]

Miguel Villasboas is listed with the following 1979 recordings, dated to the year only [1]:

  • Ataniche (tango milonga) [1]
  • De pura cepa (tango milonga) [1]
  • El niño de las monjas (paso doble) [1]
  • Orillas del plata (vals) [1]

Susana Rinaldi is listed with the following 1979 recordings, dated to the year only [1]:

  • A pesar de todo (tango) [1]
  • La cumparsita (tango) [1]
  • La foule (vals) [1]

Further 1979 entries in the listing include [1]:

  • Con permiso (milonga), Héctor Varela with Tita Merello [1]
  • Qué has hecho de mi cariño?, also listed as Royal Pigall (tango), Florindo Sassone [1]
  • Bandoneón arrabalero (tango), Raúl Miguel Garello, 8 November 1979 [1]

Garello's Bandoneón arrabalero appears twice under the same work code, once with the full date and once with the year only [1].

Some entries in the listing do not identify the performer [1]:

  • La casita de mis viejos, also listed as La casita de mis padres (tango), 17 January 1979, performer field blank [1]
  • Orlando Goñi (tango), 17 January 1979, performer field blank [1]
  • El choclo (tango nuevo), 1979, with the performer field showing only a year and a duration [1]

Referencias

Cómo funciona Tangopedia

  1. tango.info · tango.info“A Guaminí | T0371535431 | vals | José Canet | Nelly Omar | spa | 1979 | 02:36 | 1 | info”
  2. Roberto Goyeneche · es.wikipedia.org“Con alma (1979), con la orquesta de Armando Pontier, RCA.”
  3. Susana Rinaldi · es.wikipedia.org“París», título que aludía a sus dos patrias, fue producido por Barclay y presentado en el Olympia de París en 1979.”
  4. tango.min-on.or.jp · tango.min-on.or.jpPágina de la fuente“1979年 〈10〉オスバルド・プグリエーセ楽団 ... マエストロは、89年の楽団解散公演の場を民音のステージと決めた。”
  5. www.todotango.com · todotango.com“In 1979, once again with his quintet, he introduced “”
  6. Astor Piazzolla · es.wikipedia.org“El infierno tan temido de Raúl de la Torre (1979)”
  7. Proceso de Reorganización Nacional · es.wikipedia.org“Almendra, a fines de 1979 y Mercedes Sosa en 1982, fueron los primeros músicos en volver a los escenarios.”
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