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Tema

Tango in 1971

In 1971 Aníbal Troilo's orchestra made its last recordings, many of them with Roberto Goyeneche, and Susana Rinaldi opened the café-concert Magoya in Mar del Plata. [1][8][11] A dated discography also lists studio sessions that year by Juan D'Arienzo, Alfredo De Angelis, Héctor Varela and others. [9]

Datos clave

Datos clave

Troilo's last recording
24 de junio de 1971, the last of 449 renditions[11]
Troilo–Goyeneche arranger
Raúl Garello (almost all tracks)[1]
Plaza Homero Manzi
Inaugurated by Troilo in 1971[1]
Magoya café-concert
Opened in Mar del Plata in 1971 by Susana Rinaldi and Osvaldo Piro[8][10]
Piazzolla album
Concierto para Quinteto (RCA, 1971)[2]
Salgán albums
El bosque mágico and Tango (Philips, 1971)[5]

Cronología

  1. 29 de ene de 1971

    Luis Stazo with Julián Centeya and Carlos García with Claudio Bergé recorded[9]

  2. 24 de mar de 1971

    Héctor Varela recording session, including A Villoldo[9]

  3. 24 de abr de 1971

    Troilo with Goyeneche recorded El bulín de la calle Ayacucho and Toda mi vida[9]

  4. 6 de may de 1971

    Troilo with Goyeneche recorded Barrio de tango, En esta tarde gris, Fueye and Una canción[9]

  5. 24 de jun de 1971

    Troilo recorded the last of his 449 renditions[9][11]

  6. 3 de ago de 1971

    Troilo's civil marriage to Zita (Ida Dudui Kalacci)[1]

  7. 16 de sept de 1971

    Juan D'Arienzo recording session, including Cenizas[9]

  8. 26 de nov de 1971

    D'Arienzo recording session, including Juan Compás and Madame Julie[9]

  9. 6 de dic de 1971

    Atilio Stampone with Goyeneche recorded Cada vez que me recuerdes[9]

  10. 20 de dic de 1971

    D'Arienzo with Mercedes Serrano recorded Con alma de tango and Nada más[9]

The sources for tango in 1971 consist mainly of biographical notes on individual musicians and a dated discography listing of recordings from that year. [1][9] The material centres on three subjects: Aníbal Troilo, whose orchestra made its final recordings in June 1971; the singer Susana Rinaldi, who opened a café-concert in Mar del Plata; and a series of studio sessions by orchestras including those of Juan D'Arienzo, Alfredo De Angelis and Héctor Varela. [8][9][11]

Album releases noted for the year include Astor Piazzolla's *Concierto para Quinteto* on RCA and two Philips albums involving Horacio Salgán. [2][5] Personal events recorded for the year include Troilo's civil marriage in August, the death of Osvaldo Pugliese's first wife, and the birth of Rinaldi's daughter Ligia. [1][6][8]

History

Aníbal Troilo

In 1971 Troilo inaugurated the plaza Homero Manzi, marking twenty years since the death of the poet. [1] His Spanish-language biography states that on 3 August 1971 he married Zita (Ida Dudui Kalacci), described as Greek, in a civil ceremony. The same source states that the couple later married in church as a tribute when his mother Felisa died. [1]

Troilo's orchestra kept recording until 24 June 1971. On that date he recorded the last of his 449 renditions. [11] The discography listing includes three titles recorded by Troilo with Roberto Goyeneche on 24 June 1971: *Fogón de huella*, *La violeta* and *Trenzas*. [9]

Osvaldo Pugliese

Osvaldo Pugliese had married María Concepción Florio in 1936. He was widowed in 1971. [6]

Susana Rinaldi and Magoya

In 1971 Susana Rinaldi and her husband Osvaldo Piro opened a café-concert called Magoya in Mar del Plata. [8] Another biography describes Mar del Plata as the main seaside resort in Argentina, on the Atlantic, and also dates the opening of Magoya to 1971. [10]

According to her Spanish-language biography, Magoya became a meeting point for many local and international artists and drew large audiences. [8] Artists named in connection with the venue include Facundo Cabral, Miguel Gila, Norman Briski, Ulises Dumont, Amelita Baltar and Marikena Monti. With Baltar and Monti, Rinaldi presented the show *Tres mujeres* there. [8]

Rinaldi and Piro had two children. Their daughter Ligia, later a jazz singer, was born in 1971, and their son Alfredo Piro, later a tango singer and composer, was born in 1973. [8] The same source states that Rinaldi took part in a UNESCO concert in the mid-1970s, at the invitation of Yehudi Menuhin as president of the International Music Association, and that this appearance received wide attention. [8]

Albums and releases

In 1971 RCA issued Astor Piazzolla's album *Concierto para Quinteto*. The album included his *Concierto para quinteto* and new studio recordings of two of his *Estaciones porteñas*, «Invierno» and «Primavera». [2] The source describes the album as the release in which Piazzolla introduced the *Concierto para quinteto*. No independent date for a first performance appears in the sources. [2]

Horacio Salgán's discography lists two Philips albums from 1971. [5]

- *El bosque mágico*, with Dante Amicarelli (Philips, 1971) [5] - *Tango*, with Ubaldo de Lío (Philips, 1971) [5]

The discography listing also includes *Bahía Blanca*, recorded in 1971 by Horacio Salgán and Ubaldo Aquiles De Lio. [9] The two sources spell the guitarist's name differently. [5][9]

Edmundo Rivero's discography lists two 1971 items. [3]

- A single with the orchestra of Héctor Stamponi (1971) [3] - *Romance para una vereda*, with the orchestra of Raúl Garello and guitars (1971) [3]

Roberto Goyeneche's discography includes a 1971 entry with the orchestra of Aníbal Troilo on RCA. The excerpt does not give the album title. [7] Troilo's biography states that Raúl Garello arranged almost all the tracks on the album Troilo recorded with Goyeneche in 1971. [1] Francisco Canaro's article lists a title, *La muchachada del centro*, with the year 1971, but the excerpt does not say what kind of work it is. [4]

Recordings: Troilo and Goyeneche

The discography listing gives the following 1971 recordings by Aníbal Troilo's orchestra with Roberto Goyeneche, in date order: [9]

- *El bulín de la calle Ayacucho*, 24 April 1971 [9] - *Toda mi vida*, 24 April 1971 [9] - *Sur*, 26 April 1971 [9] - *Tinta roja*, 26 April 1971 [9] - *Barrio de tango*, 6 May 1971 [9] - *En esta tarde gris*, 6 May 1971 [9] - *Fueye*, 6 May 1971 [9] - *Una canción*, 6 May 1971 [9] - *Fogón de huella*, 24 June 1971 [9] - *La violeta*, 24 June 1971 [9] - *Trenzas*, 24 June 1971 [9]

Goyeneche also appears in the listing with Atilio Stampone's orchestra, in *Cada vez que me recuerdes* (tango), recorded on 6 December 1971. [9]

Recordings: Juan D'Arienzo

The listing includes a large group of 1971 recordings by Juan D'Arienzo's orchestra. Sessions are dated in September, November and December. [9]

- *Cenizas* (tango), instrumental, 16 September 1971 [9] - *La torcacita* (tango), instrumental, 16 September 1971 [9] - *Sacale Chispas* (tango), instrumental, 16 September 1971 [9] - *Estoy pagando la culpa* (tango), with Osvaldo Ramos, 16 September 1971 [9] - *Sentimiento de bohemio* (tango), 20 September 1971 [9] - *Che, quijote* (tango), with Armando Laborde, 30 September 1971 [9] - *Rezongón* (tango), with Armando Laborde, 30 September 1971 [9] - *La cara de la luna* (tango), 30 September 1971 [9] - *Quereme un poco más* (tango), with Osvaldo Ramos, 30 September 1971 [9] - *Sisebuta* (tango), with Alberto Echagüe, 30 September 1971 [9] - *De corte arrabalero* (tango), 26 November 1971 [9] - *Este es El Rey* (tango), 26 November 1971 [9] - *Hoy la vas de perseguido* (tango), with Armando Laborde, 26 November 1971 [9] - *Juan Compás* (milonga), 26 November 1971 [9] - *La biyarda* (tango), 26 November 1971 [9] - *Madame Julie* (tango), with Armando Laborde, 26 November 1971 [9] - *Mi viejo vals* (vals), with Osvaldo Ramos, 26 November 1971 [9] - *Perdóname si quieres* (tango), with Osvaldo Ramos, 26 November 1971 [9] - *Con alma de tango* (tango), with Mercedes Serrano, 20 December 1971 [9] - *Nada más* (tango), with Mercedes Serrano, 20 December 1971 [9]

The listing has two entries for *La cumparsita* by D'Arienzo in 1971. One is dated only to the year and the other to 7 December 1971. [9]

Recordings: other orchestras

Alfredo De Angelis recorded the following in 1971, according to the listing: [9]

- *Cuál de los dos* (tango), with Julian Rosales, 17 May 1971 [9] - *El choclo* (tango), instrumental, 17 May 1971 [9] - *Historia de amor* (arranged as a tango), with Carlos Aguirre, 17 June 1971 [9] - *Somos los dos* (tango), with Julian Rosales, 7 July 1971 [9] - *Mi madre querida* (arranged as a tango), with Carlos Aguirre, 8 September 1971 [9]

Héctor Varela's orchestra recorded the following in March and April 1971: [9]

- *A Villoldo* (tango), 24 March 1971 [9] - *En la costanera* (vals), with Jorge Rolando, 24 March 1971 [9] - *Para vos, Chirola* (tango), 24 March 1971 [9] - *Un rincón de La Boca* (tango), with Jorge Rolando, 24 March 1971 [9] - *Fantasía tanguera* (tango), 13 April 1971 [9] - *Milongueando en el cuarenta* (tango), 13 April 1971 [9]

The listing also includes other dated 1971 recordings: [9]

- *Cuando me entrés a fallar* (tango), Luis Stazo with Julián Centeya, 29 January 1971 [9] - *Puentecito de mi río* (vals), Carlos García with Claudio Bergé, 29 January 1971 [9] - *Corrientes y Esmeralda* (tango), Armando Pontier with Hugo del Carril, 7 July 1971 [9]

The listing also includes recordings dated only to 1971: [9]

- *Celos* (tango), Florindo Sassone [9] - *Sensorial* (tango), Osvaldo Pugliese [9] - *Madreselva* (tango), Libertad Lamarque [9] - *El firulete* (tango milonga), Donato Racciatti [9] - *La puñalada* (milonga), Donato Racciatti [9] - *Milonga con variaciones* (tango), Donato Racciatti [9] - *El rápido* (tango), Miguel Villasboas [9] - *Estoy penando* (tango milonga), Miguel Villasboas [9] - *Los indios* (tango), Miguel Villasboas [9]

An entry for *El monito* (tango nuevo) is also dated 1971, but the listing does not name the performer. [9]

Recordings: Susana Rinaldi

The discography listing includes a series of recordings by Susana Rinaldi, all dated only to 1971: [9]

- *A un semejante* (tango) [9] - *Buenos Aires | Azul noche* (genre not given) [9] - *Cambalache* (tango) [9] - *Cuesta abajo* (tango) [9] - *El choclo* (tango) [9] - *En mi pasado | Los mareados* (tango) [9] - *Milonga de Manuel Flores* (genre not given) [9] - *Para cantarle a mi gente* (milonga) [9] - *Sexto piso* (tango) [9] - *Sin piel* (tango) [9] - *Sueño de barrilete* (genre not given) [9] - *Sur* (tango) [9]

Troilo and Goyeneche also recorded *Sur* in 1971, on 26 April. [9]

Singers

Vocalists named with orchestras in the 1971 listing include Roberto Goyeneche with Aníbal Troilo and Atilio Stampone, and Armando Laborde, Osvaldo Ramos, Mercedes Serrano and Alberto Echagüe with Juan D'Arienzo. [9] Other vocalists named are Julian Rosales and Carlos Aguirre with Alfredo De Angelis, Jorge Rolando with Héctor Varela, Hugo del Carril with Armando Pontier, Julián Centeya with Luis Stazo, and Claudio Bergé with Carlos García. [9] Susana Rinaldi and Libertad Lamarque appear in the listing under their own names. [9]

Lo que todavía no sabemos

  • No source on dance, milongas or dance venues in 1971; Buenos Aires milonga openings in the sources are mostly post-1990 or undated.
  • No source on the political or social context of tango in 1971, and no named-document evidence on dictatorship-era blacklists.
  • Album labels and catalogue details have not been cross-checked against other discographies.
  • The title of the 1971 Goyeneche–Troilo album on RCA is not given in the excerpt.
  • The nature of Canaro's 1971 entry 'La muchachada del centro' (film, album or recording) is not stated.
  • The source describes Piazzolla's Concierto para quinteto as introduced on the 1971 album; no independent first-performance date is available.
  • The listing does not name the performer of 'El monito' (1971).
  • The listing gives no genre for 'Buenos Aires | Azul noche', 'Milonga de Manuel Flores' and 'Sueño de barrilete'.
  • Many 1971 recordings (all of Rinaldi's, and those by Sassone, Pugliese, Lamarque, Racciatti and Villasboas) are dated only to the year, with no exact session dates.
  • The listing has two 1971 entries for D'Arienzo's 'La cumparsita' (one dated only to the year, one to 7 December 1971); the sources do not say whether these are separate recordings.
  • Coverage of tango outside Argentina and Uruguay in 1971 is absent.

Referencias

Cómo funciona Tangopedia

  1. Aníbal Troilo · es.wikipedia.org“Durante esta época fue arreglador Raúl Garello (como en casi todos los temas del disco que Troilo graba junto a Goyeneche en 1971).”
  2. Astor Piazzolla · es.wikipedia.org“En 1971 RCA editó el álbum Concierto para Quinteto donde Piazzolla estrenó precisamente su Concierto para quinteto,”
  3. Edmundo Rivero · es.wikipedia.org“Simple con orquesta de Héctor Stamponi (1971)”
  4. Francisco Canaro · es.wikipedia.orgPágina de la fuente“La muchachada del centro (1971)”
  5. Horacio Salgán · es.wikipedia.orgPágina de la fuente“El bosque mágico, con Dante Amicarelli (Philips, 1971)”
  6. Osvaldo Pugliese · es.wikipedia.org“Casado en primeras nupcias con María Concepción Florio en 1936 hasta que queda viudo en 1971.”
  7. Roberto Goyeneche · es.wikipedia.org“(1971), con la orquesta de Aníbal Troilo, RCA.”
  8. Susana Rinaldi · es.wikipedia.org“En 1971, inauguró junto a su marido Osvaldo Piro un café-concert en Mar del Plata, Magoya,”
  9. tango.info · tango.info“A Villoldo | T0370317251 | tango | Héctor Varela | - | zxx | 1971-03-24 | 02:59 | 2 | info”
  10. www.todotango.com · todotango.com“in 1971 opened the café-concert Magoya in Mar del Plata, the main seaside resort in Argentina, on the Atlantic.”
  11. www.todotango.com · todotango.comPágina de la fuente“Troilo's orchestra recorded until June 24, 1971 when he recorded the last of his 449 renditions.”
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