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Tango in 1970

In 1970 Argentine tango saw new recording formats, including what one source calls the first live album recorded in Argentina, *Piazzolla en el Regina* [1]. Established orchestras such as those of Juan D'Arienzo, Aníbal Troilo and Florindo Sassone held dated recording sessions that year [8]. Tango also travelled abroad: Horacio Salgán played at Lincoln Center in New York [4], and the Min-On Concert Association began inviting Argentine tango artists to Japan every year [13].

The dossier documents 1970 mainly through recordings and through the biographies of individual musicians and singers. A discography listing gives dated or year-only recordings by many orchestras and singers. They range from the dance orchestras of Juan D'Arienzo and Aníbal Troilo to folk-oriented performers such as Enzo Valentino and Atahualpa Yupanqui [8].

A biography of Astor Piazzolla links two firsts for the Argentine record market to him: the double-album soundtrack of *María de Buenos Aires* in 1968, and the live album *Piazzolla en el Regina* in 1970 [1]. The same source describes the live album as a major gamble for RCA [1].

Other sources record activity outside the studio. Horacio Salgán performed at Lincoln Center in New York in 1970 [4]. Luis Stazo organized and conducted a large orchestra at the Luna Park for an institution's third anniversary [12]. In Japan, the Min-On Concert Association began its annual invitations of Argentine tango orchestras, dancers and singers [13].

The dates below come from discography and biographical listings. They are recording or release dates, not composition or premiere dates. For each work they show at most a recording known from that year [8].

History

A biography of Astor Piazzolla notes that by 1970 progressive rock had begun to appear in Buenos Aires [1]. The source describes this rock as built on added sections rather than on thematic development, and it mentions a series of concerts facilitated by the municipal government [1].

The same biography states that in the 1970s, given the chaotic political situation in Argentina, Piazzolla was looking for a record contract in Europe [1]. In March 1974 the producer Aldo Pagani telephoned him with an offer: Pagani would become his representative, under a contract valid for three years [1].

Horacio Salgán played at Lincoln Center in New York in 1970 and at the Teatro Colón in Buenos Aires in 1972 [4].

In 1970 Luis Stazo organized and conducted the large orchestra that performed at the Luna Park to celebrate the third anniversary of an institution. The excerpt does not name the institution [12].

From 1970 the Min-On Concert Association invited Argentine tango orchestras, dancers and singers to Japan every year [13].

Susana Rinaldi's biography places some of her activity in the early and mid-1970s. In 1971 she and her husband, Osvaldo Piro, opened a café-concert called Magoya in Mar del Plata [7]. The source says it became a meeting point for many local and international artists [7]. Rinaldi travelled there with her family from November to April each season and during the July and August winter holidays [7]. By the mid-1970s Piro had taken over running the venue [7]. Also around the mid-1970s, she took part in a UNESCO concert at the invitation of Yehudi Menuhin, named in the source as president of the Asociación Internacional de Música [7].

A biography of Roberto Goyeneche includes a personal recollection of nights out as a university student "around 1970" [9].

Albums and singles

Biographical discographies date several long-playing records and singles to 1970 [1] [2] [4] [6]:

  • *Piazzolla en el Regina*, a live album issued by RCA and described as the first live album recorded in Argentina [1]
  • An official Columbia single with a festival version sung by Amelita Baltar, with *Chiquilín de Bachín* on the B side, released in early 1970 [1] - *Los ladrones*, an LP by Cuarteto Cedrón (Mandolina AL101) [2] - *Entre tango y tango*, Edmundo Rivero with the orchestra of Horacio Salgán; Salgán's discography lists it as *Entre Tango y Tango*, with Edmundo Rivero (Philips, 1970) [3] [4] - *Dos virtuosos del piano*, Horacio Salgán with Dante Amicarelli (Philips, 1970) [4] - *Mano a mano*, Roberto Goyeneche with the Orquesta Típica Porteña, directed and arranged by Raúl Garello and Osvaldo Berlingieri (RCA) [6]

Edmundo Rivero's discography also lists two 1970 recordings with the orchestra of Mario De Marco: *Callejón* and *Arigató Japón, arigató* [3].

A biography of Susana Rinaldi states that in 1970 she devoted a whole long-playing record to tangos with lyrics by a single author [10]. The available excerpt is cut off before the lyricist's name [10].

The Mariano Mores entry lists *Un elefante color ilusión* (1970) [5]. It also lists *Luces de mi ciudad*, dated to the 1970s and 1980s, with a collaborator whose name is truncated to "J." [5]. Goyeneche's biography notes that in the 1970s he continued his solo work with the same orchestras that had usually accompanied him in earlier years [6].

Recording sessions: Juan D'Arienzo

A discography listing records five session dates for Juan D'Arienzo's orchestra in 1970, featuring the singers Osvaldo Ramos, Armando Laborde and Alberto Echagüe [8].

On 13 August 1970 D'Arienzo recorded the following titles [8]: - *Glorioso Chantecler*, with Osvaldo Ramos [8] - *Oro y diamantes*, with Osvaldo Ramos [8] - *Recuerdo la casa*, with Osvaldo Ramos [8] - *Requiem para una luca*, with Armando Laborde [8] - *Porteñísimo*, no singer credited [8]

On 21 August 1970 the orchestra recorded [8]: - *Armenonville* [8] - *El estagiario* [8] - *El taura* [8] - *La cautiva* [8] - *Senda florida*, with Osvaldo Ramos [8]

On 15 September 1970 the orchestra recorded [8]: - *Dos dedos*, with Alberto Echagüe [8] - *El cielo lloró por mi*, with Osvaldo Ramos [8] - *Tengo miedo*, with Alberto Echagüe [8] - *Un reo menos*, with Alberto Echagüe [8]

On 29 October 1970 the orchestra recorded [8]: - *Criolla linda* [8] - *Zapatitos de raso* (milonga), with Armando Laborde and Osvaldo Ramos [8]

On 16 December 1970 the orchestra recorded [8]: - *Con alma y nervio*, with Armando Laborde [8] - *El arroyito* [8] - *El carrerito*, with Osvaldo Ramos [8] - *Elegante papirusa* [8] - *Habla un milonga*, with Armando Laborde [8] - *Milonga de mis amores* (milonga) [8] - *Paciencia*, with Alberto Echagüe [8] - *Siempre primero* [8] - *Tremolina* (milonga) [8] - *Tuve que llorar*, with Osvaldo Ramos [8]

Recording sessions: Aníbal Troilo

A discography listing records several 1970 sessions for Aníbal Troilo, mostly without a credited singer [8]:

  • 14 April 1970: *Entre sueños* [8]
  • 14 April 1970: *Mañanitas de Montmartre* [8]
  • 14 April 1970: *Milonga de corralón* (milonga), with Tito Reyes [8]
  • 13 August 1970: *El motivo*, credited to Aníbal Troilo and Astor Piazzolla [8]
  • 13 August 1970: *Volver*, credited to Aníbal Troilo and Astor Piazzolla [8]
  • 14 September 1970: *Bandola triste* [8]
  • 14 September 1970: *Fechoría* (milonga) [8]
  • 14 September 1970: *La racha* [8]
  • 14 September 1970: *Nobleza de arrabal* [8]
  • 28 September 1970: *Adiós, Bardi* [8]
  • 28 September 1970: *Piropos* [8]
  • 23 November 1970: *Milontango* [8]
  • 23 November 1970: *Tinta verde* [8]
  • 21 December 1970: *Ojos negros* [8]
  • 21 December 1970: *Pa' que bailen los muchachos* [8]
  • 28 December 1970: *Mi refugio* [8]
  • 28 December 1970: *Tomando color* [8]

Troilo's biography also refers to a 1970 recording of Cobián's *El motivo* [11]. This agrees with the listing's August 1970 entry credited to Troilo and Piazzolla [8].

Recording sessions: Orquesta Típica Porteña and Raúl Garello

In May and June 1970 the Orquesta Típica Porteña recorded with Roberto Goyeneche [8]. Goyeneche's biography connects the orchestra with the RCA album *Mano a mano*, directed by Raúl Garello and Osvaldo Berlingieri [6]. The listed sessions are [8]:

  • 7 May 1970: *La luz de un fósforo* [8]
  • 7 May 1970: *La mesa de un café* [8]
  • 7 May 1970: *La vi llegar* [8]
  • 7 May 1970: *Luna llena* [8]
  • 7 May 1970: *Mano a mano* [8]
  • 7 May 1970: *Tal vez será su voz* [8]
  • 8 May 1970: *Almita herida* [8]
  • 8 May 1970: *Cuando caigan las hojas* [8]
  • 8 May 1970: *El último farol* [8]
  • 8 May 1970: *Mi ciudad y mi gente* [8]
  • 1 June 1970: *Cambalache* [8]

From September to November 1970, recordings credited to Raúl Miguel Garello with the singer Roberto Rufino appear in the same listing [8]:

  • 24 September 1970: *Nunca tuvo novio* [8]
  • 14 October 1970: *Amor de payaso* [8]
  • 14 October 1970: *Llevo tu misterio* [8]
  • 26 October 1970: *A una mujer* (vals) [8]
  • 26 October 1970: *Festín* [8]
  • 26 October 1970: *Sin palabras* [8]
  • 9 November 1970: *A la luz de un candil* [8]
  • 9 November 1970: *Anoche* [8]
  • 20 November 1970: *Donde estás... caridad* [8]
  • 20 November 1970: *Sueño querido* [8]
  • 20 November 1970: *Y pudo ser amor* [8]

Recording sessions: Florindo Sassone

Florindo Sassone's orchestra recorded across April and early May 1970, with the singers Oscar Macri and Zulema Robles [8]:

  • 9 April 1970: *Cascabelito*, with Oscar Macri [8]
  • 9 April 1970: *La viruta* [8]
  • 16 April 1970: *El chamuyo* [8]
  • 16 April 1970: *Fuegos artificiales* [8]
  • 16 April 1970: *La cumparsita*, with Oscar Macri [8]
  • 16 April 1970: *Vida mía*, with Oscar Macri [8]
  • 28 April 1970: *El llorón* (listed as a milonga) [8]
  • 28 April 1970: *Madreselva*, with Zulema Robles [8]
  • 30 April 1970: *Cuando llora la milonga* [8]
  • 30 April 1970: *Duelo criollo* [8]
  • 5 May 1970: *Carrillón de la Merced* [8]

Other orchestras and soloists

For José Basso, the listing gives only the year 1970, with no singer credited [8]. The titles are [8]: - *A la gran muñeca* [8] - *Adiós, pampa mía* [8] - *Caminito* [8] - *Canaro en París* [8] - *Chiqué* [8] - *El choclo* [8] - *El esquinazo* [8] - *El huracán* [8] - *El llorón* (listed as a tango) [8] - *Felicia* [8] - *Inspiración* [8] - *La cachila* [8] - *La cumparsita* [8] - *La morocha* [8] - *Mamá yo quiero un novio* [8] - *Nostalgias* [8] - *Organito de la tarde* [8] - *Quejas de bandoneón* [8] - *Re fa si* [8] - *Rodríguez Peña* [8] - *Sentimiento gaucho* [8] - *Yira, yira* [8]

Osvaldo Pugliese's 1970 entries are given by year only [8]: - *Balada para un loco* [8] - *Farolito de mi barrio* [8] - *Hasta el último tren*, with Abel Córdoba [8] - *Lágrimas* [8] - *Shusheta* [8] - *Taconeando* [8]

Armando Pontier's 1970 entries are given by year only [8]: - *Inspiración* [8] - *Nueve de julio* [8] - *Sangre joven* [8] - *Por qué soy reo?*, with Gloria Diaz [8] - *Zorzal* (milonga), with Gloria Diaz [8] - *Tal vez porque la quiero*, with Nestor Real [8] - *Tanto amor sin usar*, with Nestor Real [8] - *Una noche como ésta*, with Nestor Real [8] - *Yo soy Manuel*, with Nestor Real [8] - *Zurdo*, with Roberto Goyeneche [8]

Alfredo De Angelis' dated 1970 recordings are [8]:

  • 5 May 1970: *Río de angustia* (listed as an arrangement in tango form), with Carlos Aguirre [8]
  • 23 November 1970: *Lo había visto a Gardel*, with Julian Rosales [8]
  • 27 November 1970: *Porteñísimo* [8]

Héctor Varela's dated 1970 recordings are [8]:

  • 7 April 1970: *Amanecer porteño* [8]
  • 7 April 1970: *Mística* (milonga) [8]
  • 21 August 1970: *Volver a Buenos Aires* (vals), with Marcelo Peña [8]
  • 22 December 1970: *Contrapinta* [8]

Carlos García recorded with Claudio Bergé [8]:

  • 22 April 1970: *El último round* [8]
  • 26 June 1970: *Indiferencia* [8]
  • 23 July 1970: *Mulatada* (candombe) [8]

The listing has further entries [8]:

  • Martin Darré with Nito Mores: *Tu piel de jazmín* (7 April 1970) [8]
  • Martin Darré with Nito Mores: *Sabor de adiós* (12 June 1970) [8]
  • Mariano Mores with Carlos Acuña: *El día que me quieras* (20 January 1970) [8]
  • Mariano Mores: *Oro y gris* (1970) [8]
  • Leopoldo Federico with Rubén Juárez: *Mañana iré temprano* (3 June 1970) [8]
  • Luis Stazo with Alberto Podestá: *No nos veremos más* (September 1970) [8]
  • Donato Racciatti: *Chiqué* (1970) [8]
  • Donato Racciatti: *Gallo ciego* (1970) [8]
  • Horacio Malvicino: *La cumparsita* (1970) [8]
  • Astor Piazzolla with Amelita Baltar: *Chiquilín de Bachín* (1970; genre not stated) [8]
  • Atahualpa Yupanqui: *Los hermanos* (milonga, 2 January 1970) [8]
  • Los Indios Tacunao: *Ilusión de mi vida* (vals, 1970) [8]

Singers

Nelly Omar recorded in 1970 with José Canet [8]: - *Adiós a Gabino Ezeiza* (also listed as *El adiós de Gabino Ezeiza*; milonga) [8] - *Amar y callar* [8] - *La cumparsita* [8] - *Sur* [8]

Enzo Valentino appears in the listing under his own name, in several genres [8]: - *Adiós a Gabino Ezeiza* (milonga) [8] - *Caminito* [8] - *China de la mazorca* (canción) [8] - *El sol del 25* (gato) [8] - *La canción de Amalia* (vals) [8] - *La guitarrera de San nicolás* (vals) [8] - *La mazorquera de Monserrat* [8] - *La pulpera de Santa Lucía* (vals) [8] - *Quemá esas cartas* (vals) [8] - *Te quiero* [8]

Valentino also appears as the singer with Roberto Pansera [8]: - *Destellos* [8] - *Rosa Morena | Abuelita Dominga* (milonga) [8]

Other singers credited in 1970 recordings include Roberto Goyeneche, Roberto Rufino, Osvaldo Ramos, Armando Laborde, Alberto Echagüe, Oscar Macri, Zulema Robles, Tito Reyes, Abel Córdoba, Gloria Diaz, Nestor Real, Carlos Aguirre, Julian Rosales, Marcelo Peña, Claudio Bergé, Nito Mores, Carlos Acuña, Rubén Juárez, Alberto Podestá and Amelita Baltar [8]. Edmundo Rivero recorded in 1970 with the orchestras of Horacio Salgán and Mario De Marco [3]. Susana Rinaldi devoted a long-playing record to a single lyricist's tangos [10].

Repertoire

Several works appear more than once among the 1970 entries of the discography listing [8]: - *La cumparsita*: Florindo Sassone with Oscar Macri, Horacio Malvicino, José Canet with Nelly Omar, and José Basso [8] - *Caminito*: José Basso and Enzo Valentino [8] - *Chiqué*: Donato Racciatti and José Basso [8] - *Inspiración*: Armando Pontier and José Basso [8] - *Porteñísimo*: Juan D'Arienzo (13 August) and Alfredo De Angelis (27 November) [8] - *Adiós a Gabino Ezeiza*: José Canet with Nelly Omar, and Enzo Valentino [8] - *El llorón*: Florindo Sassone and José Basso [8]

Under the same work code, the listing labels *El llorón* a milonga for Sassone's recording and a tango for Basso's, so the listing's own entries differ on its genre [8]. Recording dates here do not establish when any work was composed or first performed; they give only the earliest known recording within this listing for that year [8].

Referencias

Cómo funciona Tangopedia

  1. Astor Piazzolla · es.wikipedia.org“editó el primer álbum en vivo grabado en el país, Piazzolla en el Regina en 1970,”
  2. Cuarteto Cedrón · es.wikipedia.org“Los ladrones (1970) – LP (Mandolina – AL101)”
  3. Edmundo Rivero · es.wikipedia.org“"Entre tango y tango" con orquesta de Horacio Salgán (1970)”
  4. Horacio Salgán · es.wikipedia.orgPágina de la fuente“En 1970 tocó en el Lincoln Center de Nueva York y en 1972 en el Teatro Colón de Buenos Aires.”
  5. Mariano Mores · es.wikipedia.org“«Luces de mi ciudad» (década de 1970 y 1980), con J.”
  6. Roberto Goyeneche · es.wikipedia.org“En la década de 1970, continuó su actividad solista acompañado por las mismas orquestas con que habitualmente lo había hecho en los lustros anteriores.”
  7. Susana Rinaldi · es.wikipedia.org“En 1971, inauguró junto a su marido Osvaldo Piro un café-concert en Mar del Plata, Magoya,”
  8. tango.info · tango.info“A la gran muñeca | T0370183939 | tango | José Basso | - | zxx | 1970 | 02:16 | 2 | info”
  9. www.todotango.com · todotango.com“But today I recall, the magic night adventures as a University student, around 1970.”
  10. www.todotango.com · todotango.com“, and that in 1970 she devoted a whole long-playing record to tangos with lyrics by”
  11. www.todotango.com · todotango.comPágina de la fuente“in 1970, when they recorded Cobián's “El motivo” and”
  12. www.todotango.com · todotango.com“In 1970 he organized and conducted the big orchestra that performed at the Luna Park celebrating the third anniversary of the institution.”
  13. tango.min-on.or.jp · tango.min-on.or.jpPágina de la fuente“民音（民主音楽協会）は、1970年よりアルゼンチンから毎年、タンゴの楽団・ダンサー・歌手を招聘し”
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