When each orchestra recorded
The years each orchestra went into the studio. A darker year holds more recordings.
Of these, Francisco Canaro has the longest span: 1915 to 1973.
- Juan Maglio1912–1933
- Francisco Canaro1915–1973
- Roberto Firpo1917–1944
- Julio De Caro1924–1953
- Francisco Lomuto1925–1950
- Típica Victor1925–1944
- Osvaldo Fresedo1926–1980
- Rodolfo Biagi1927–1966
- Juan D'Arienzo1928–1975
- Carlos Di Sarli1928–1960
- Edgardo Donato1930–1961
- Miguel Caló1933–1972
- Cuarteto Típico Roberto Firpo1936–1953
- Ricardo Tanturi1937–1965
- Enrique Rodríguez1937–1962
- Pedro Laurenz1937–1968
- Aníbal Troilo1938–1971
- Lucio Demare1938–1957
- Ángel D'Agostino1940–1963
- Quinteto Pirincho (Francisco Canaro)1940–1964
- Osvaldo Pugliese1943–1986
- Alfredo De Angelis1943–1985
- Domingo Federico1944–1969
- Astor Piazzolla1945–1989
- Orquesta Francini-Pontier1946–1973
- Florindo Sassone1947–1979
- Alfredo Gobbi1947–1958
- José Basso1948–1986
- Francisco Rotundo1948–1957
- Héctor Varela1950–1975
- Horacio Salgan1950–1969
- Mariano Mores1951–1986
- Donato Racciatti1951–1986
- Armando Pontier1955–1979
- Miguel Villasboas1959–2001
- Los Solistas De D'Arienzo1972–1988
- Color Tango (Roberto Alvarez)1994–2014
- Orquesta Típica Fernández Fierro2001–2017
- Orquesta Típica Imperial2003–2011
- Orquesta Romantica Milonguera2016–2021
192019401960198020002020
Source: the forty orchestras with the most recordings in TangoCloud’s catalogue, 10,528 of the 12,742 dated recordings we hold. A gap can mean records we don’t hold, not silence. TangoCloud