Song
Moneda de cobre
1942: 1, 8; 1943: 1, 7; 1953: 1, 1; 2006: 1, 0
Moneda de cobre is a tango.
Moneda de cobre was published in 1942.
Moneda de cobre was composed by Carlos Viván.
The lyrics of Moneda de cobre are by Horacio Sanguinetti.
Moneda de cobre: The opening lines of Moneda de cobre ('your father was blonde... your mother was black') allude to the 1864–70 War of the Triple Alliance against Paraguay, where Black soldiers were disproportionately sent to the front and died, leaving Buenos Aires's Afro-Argentine community with far more women than men who went on to marry white men.
every sentence cites a published fact
Credit
- Music
- Carlos Viván
- Lyrics
- Horacio Sanguinetti
Source: TangoCloud catalogue
Every recording
4 recordings · our catalogue, dances filmed on TangoTube · 2 more we know of
Choose A and B on two recordings to hear them one after the other.
- Ricardo TanturiEarliest we holdMost dancedAlberto Castillo · RCA Victor · Dec 48 dances1942
- Lucio DemareRaúl Berón · Odeon · Apr 17 dances1943
- Héctor VarelaArgentino Ledesma · Jun 161 dance1953
- Orquesta Típica Fervor de Buenos AiresDiego DimartinoNot danced on film yet2006
- Carlos GarcíaNot in our catalogueRoberto Florio · Apr 211969
- Osvaldo RequenaNot in our catalogueAlberto Castillo1976
Danced to it
Music from 1942–2006 · danced on film 2010–2024
2010: 1, 2011: 1, 2012: 1, 2013: 2, 2015: 1, 2019: 1, 2024: 1
Where it is danced
The places our videos show it danced, by performances filmed there.
Data: recordings, facts and sources
In other catalogues3
TodoTango · tema/864
Single sourcetango.info · T0370195508
Single sourceMusicBrainz · 412794d0-4a84-4239-b104-31b46100309asource
Single sourceIs a1
Is a Tango
Single sourcePublished1
Published 1942
Single sourceComposer1
Composed by Carlos Viván
Single sourceLyricist1
Lyrics by Horacio Sanguinetti
Single sourceNotes1
The opening lines of Moneda de cobre ('your father was blonde... your mother was black') allude to the 1864–70 War of the Triple Alliance against Paraguay, where Black soldiers were disproportionately sent to the front and died, leaving Buenos Aires's Afro-Argentine community with far more women than men who went on to marry white men.
Single sourceListen
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