Person
Orlando Goñi
Orlando Goñi (born 26 January 1914) was a tango pianist and the pianist of Aníbal Troilo's orchestra when it opened at the Marabú cabaret on 1 July 1937 [3][6]. He left Troilo in 1943 to lead his own orchestra and died in Montevideo on 5 February 1945, aged 31 [1].
Orlando Goñi was a tango pianist born on 26 January 1914 [6]. He debuted in Alfredo Calabró's orchestra in 1928 [1], and in 1936 he joined Juan Carlos Cobián's orchestra, where he played again beside Aníbal Troilo [2].
Goñi was the pianist of Troilo's new orchestra, which opened at the Marabú cabaret on 1 July 1937 [3]. He is recorded as a member of the Aníbal Troilo orchestra from that date and through 1938-1939 [4], and again for 1940-1942 [5]. He left Troilo in September 1943, and his own orchestra opened at the café El Nacional on 1 December of that year [1].
In 1944 Radio Belgrano signed his orchestra [1]. Goñi died in Montevideo on 5 February 1945, aged 31 [1]. In 1949 Alfredo Gobbi composed the tango "Orlando Goñi" in his memory [1].
Early career
Goñi made his debut in 1928, in the orchestra of Alfredo Calabró [1]. In 1936 he joined the orchestra of Juan Carlos Cobián, where he again played alongside Aníbal Troilo [2]. The sources do not give details of the earlier occasion on which the two had played together [2].
With Aníbal Troilo
Goñi was the pianist of the new orchestra formed by Aníbal Troilo, which opened at the Marabú cabaret on 1 July 1937 [3]. A chronicle of the Troilo orchestra lists him as a member from 1 July 1937 [4] and for the period 1938-1939 [4]. Another version of the same chronicle places him in the orchestra during 1940-1942 [5]. He left Troilo in September 1943 [1].
Own orchestra
After leaving Troilo, Goñi formed his own orchestra, which opened at the café El Nacional on 1 December 1943 [1]. In 1944 the orchestra was signed by Radio Belgrano [1].
Death and legacy
Goñi died in Montevideo on 5 February 1945, aged 31 [1]. In 1949 Alfredo Gobbi composed a tango titled "Orlando Goñi" in his memory [1].
Related
Goñi's principal documented association was with the Aníbal Troilo orchestra, in which he served as pianist from its 1937 opening until 1943 [3][4][1].
References
- 1.Orlando Goñi · es.wikipedia.org
- 2.Orlando Goñi · todotango.com
- 3.Aníbal Troilo · es.wikipedia.org
- 4.Orquesta Típica Aníbal Troilo (Néstor Pinsón) · todotango.com
- 5.Orquesta Típica Aníbal Troilo - Todotango.com · todotango.com
- 6.Tangopedia staff · tangopedia.app
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Data: recordings, facts and sources
As a musician1928–1945
- piano, 1928–1945
As a musician
The orchestras the sources place them in, with the years each source gives, and what they arranged. Every line links its source.
Instruments: piano.
Played in
- 1937
- 1938–1939
- 1940–1942
Notes13
Debuts in Alfredo Calabró's orchestra.1928
Single sourceJoins Juan Carlos Cobián's orchestra, where he plays again beside Aníbal Troilo.1936
Single sourcePianist of Troilo's new orchestra, which opens at the Marabú cabaret on 1 July.Jul 1, 1937
Single sourceLeaves Troilo in September; his own orchestra opens at the café El Nacional on 1 December.Dec 1, 1943
Single sourceRadio Belgrano signs his orchestra.1944
Single sourceDies in Montevideo, aged 31.Feb 5, 1945
Single sourceAlfredo Gobbi composes the tango Orlando Goñi in his memory.1949
Single sourcePianista y director
Supported · 2In La Maleva, Goñi's crescendo is built almost entirely from the piano's left hand; Lavocah treats Troilo and Goñi as the true engine of the band.
Single sourcePianist Orlando Goñi played for Troilo until mid-1943; Troilo's 1952 recording of Alfredo Gobbi's tribute composition named for him adds new arranging touches, including crashing discordant-octave figures that Michael says became a lasting feature of the band's sound.
Single sourceGoñi's piano style has double articulation (left-hand bass notes ring out legato, right-hand melody staccato, and he did not use the pedals) and 'marcación bordoneada' (decorated marking); the first was copied by Federico, Troilo's later pianists and many others.
Single sourceGoñi left Troilo in August 1943 along with two others; he drank himself to death aged 31. He never got a studio contract with his own orchestra, but four radio acetates from 1944-45 survive, in terrible sound, where he plays 1941-style power under 1945 lyricism.
Single sourceLavocah says Troilo's first orchestra would have been nothing without Goñi, who helped choose the repertoire and developed the sound of 1937-43; Troilo never spoke of him in later interviews.
Single sourcePlayed in1
Played in Aníbal TroiloJul 1, 1937, 1938–1939, 1940–1942
Single sourceBorn1
Born on January 26, 1914
Supported · 3In other catalogues3
Died1
Died on February 5, 1945
Supported · 2Birthplace1
Born in Buenos Aires Argentina
Supported · 2Listen
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