El tango en 1946

Alfredo De Angelis — grabó en El tango en 1946 (26 recordings)1946[1]Single source

Juan D'Arienzo — grabó en El tango en 1946 (25 recordings)1946[1]Single source

Ricardo Tanturi — grabó en El tango en 1946 (24 recordings)1946[1]Single source

Francisco Canaro — grabó en El tango en 1946 (23 recordings)1946[1]Single source

Aníbal Troilo — grabó en El tango en 1946 (21 recordings)1946[1]Single source

Rodolfo Biagi — grabó en El tango en 1946 (18 recordings)1946[1]Single source

Carlos Di Sarli — grabó en El tango en 1946 (17 recordings)1946[1]Single source

Osvaldo Pugliese — grabó en El tango en 1946 (15 recordings)1946[1]Single source

Orquesta Francini-Pontier — grabó en El tango en 1946 (14 recordings)1946[1]Single source

Osmar Maderna — grabó en El tango en 1946 (13 recordings)1946[1]Single source

Domingo Federico — grabó en El tango en 1946 (12 recordings)1946[1]Single source

Enrique Alessio — grabó en El tango en 1946 (11 recordings)1946[1]Single source

Libertad Lamarque Leaves Argentina on 2 January for a tour beginning in Cuba and settles in Mexico.[2]Single source

Enrique Francini Francini-Pontier makes its first recording, Margot, for Víctor.[3]Single source

Carlos Almada Replaces Horacio Quintana with Lucio Demare; tours abroad, including Cuba.[4]Single source

Guillermo Rico Last recordings of his first Canaro period, including En la noche de tus ojos.[5]Single source

Alfredo De Angelis His orchestra opens the Glostora Tango Club on Radio El Mundo, a daily programme that runs for 22 years.[6]Single source

Carlos Dante Opens the Glostora Tango Club programme on Radio El Mundo with De Angelis.[7]Single source

Miguel Caló Begins a tour of Bolivia, Peru and Ecuador with singers Roberto Arrieta and Raúl Iriarte.[8]Single source

Daniel Binelli Born in Quilmes, Buenos Aires province.[9]Single source

Carlos Saavedra Joins Rodolfo Biagi's orchestra as Carlos Saavedra; first recording, Mientras duerme la ciudad, for Odeon.[10]Single source

Maria de la Fuente First records for Odeon with Américo Belloto's orchestra, starting with Padre nuestro and En carne propia.[11]Single source

Alberto Arenas Revival of Canción de los barrios with Virginia Luque.[12]Single source

Enrique Lucero Records Te espero en Rodríguez Peña with Francisco Canaro's orchestra for Odeon.[13]Single source

Osvaldo Ribo First recording with Ricardo Tanturi, the vals Amores de estudiante with Roberto Videla, for RCA Victor.[14]Single source

Ángel D'Agostino Last recording session with Ángel Vargas.[15]Single source

Pedro Datila First recording with Osmar Maderna, Una vez, for Victor.[16]Single source

Jorge Casal Debuts with Florindo Sassone's orchestra, then starting on Radio Splendid.[17]Single source

Alberto Dassieu At about 9 or 10 starts watching the dances at a club near his home.[18]Single source

Toto Faraldo Starts dancing tango as a teenager, at a barrio club about six blocks from his family's home in Parque Chacabuco (per his own account; automatic captions, low confidence).[19]Single source

Dante Amicarelli Leaves Eduardo Armani's orchestra to form a duo and orchestra with singer Eduardo Farrell; summer season in Mar del Plata and Radio Belgrano.[20]Single source

Quinteto Suárez Paz Starts the violin at five.[21]Single source

Pedro Datila Wins a contest whose prize is a month as singer of Pedro Maffia's orchestra.[22]Single source

Héctor de Rosas Wins the male category of a Radio Belgrano contest sponsored by Radiolandia.[23]Single source

Jorge Vidal Debuts at Café La Paz in Barrancas de Belgrano; the owner is stabbed that night.[24]Single source

Armando Guerrico Auditions for Ricardo Tanturi to replace Enrique Campos and declines to imitate him.[25]Single source

Elba Berón Forms Las Hermanas Berón with her sister Rosita; debut on Radio Belgrano.[26]Single source

Virginia Luque Sings Canaro's Si tú me quisieras in the play La canción de los barrios.[27]Single source

Leopoldo Federico Joins Osmar Maderna's orchestra as first bandoneón.[28]Single source

Carlos Waiss Writes Te espero en Rodríguez Peña with Héctor Varela.[29]Single source

Osvaldo Ruggiero Composes the tango Tiempo.[30]Single source

Roberto Di Filippo Bandoneon in Piazzolla's first own orchestra, which debuts at the Café Marzotto.[31]Single source

Los Muchachos De Antes Cao plays in Alberto Castillo's revue company at the Teatro Maipo.[32]Single source

José Rótulo Writes Remolino with De Angelis.[33]Single source

Atilio Stampone Becomes pianist of Astor Piazzolla's orchestra, until it breaks up in 1948.[34]Single source

Enrique Camerano Records La yumba with Pugliese, the first of two versions.[35]Single source

Hugo Diaz Plays in the folk group Chacay Manta.[36]Single source

Raúl Berón Begins recording with the Francini-Pontier orchestra, 16 sides through 1949.[37]Single source

Marvil Writes Se lustra señor with Enrique Alessio and Eduardo Del Piano; Castillo records it, followed by Ángel Vargas in 1947.[38]Single source

Armando Moreno Leaves Rodríguez to co-lead an orchestra with Roberto Garza.[39]Single source

Osmar Maderna Makes his first discs for the Uruguayan label Sondor with singer Orlando Verri, then starts recording for Víctor in May.[40]Single source

Florindo Sassone Returns with a new orchestra, playing cafés and neighbourhood stages.[41]Single source

Vicente Demarco Writes En secreto with Roldán; Troilo records his Bienvenida; turns to journalism.[42]Single source

Alberto Suárez Villanueva His own orchestra debuts at the Café Marzotto.[43]Single source

Juan Sanchez Gorio Plays the whole year at the Confitería Marzotto.[44]Single source

Victor D'Amario Leaves Radio El Mundo for a contract with Radio Splendid.[45]Single source

Tania Sings with Mariano Mores's orchestra and on Radio El Mundo.[46]Single source

Eduardo Adrian Records Sueño de juventud and Silbando with Emilio Pellejero in Uruguay.[47]Single source

Mario Pomar Sings with Francisco Rotundo on Radio Splendid and at the Confitería La Armonía.[48]Single source

Osvaldo Pugliese Composes La yumba, the piece that became the emblem of his sound.[49]Single source

Astor Piazzolla Launches his own orquesta típica and records for Odeón, with singer Aldo Campoamor.[50]Single source

Osmar Maderna Plays on Radio El Mundo.[51]Single source

Roberto Caló Moves to Radio Belgrano with singers Enrique Campos and Carlos Roldán.[52]Single source

Nelly Omar Makes her first records, for Odeon, with Francisco Canaro's support.[53]Single source

Guillermo Coral Leaves Canaro's orchestra.[54]Single source

Tino García Introduced to Ángel D'Agostino by his brother; joins the orchestra.[55]Single source

Osvaldo Pugliese Appears in the film Mis cinco hijos.[49]Single source

Héctor Stamponi Forms his own orquesta típica with a Victor recording contract, heard on Radio Belgrano; it records until 1949.[56]Single source

Ángel Vargas Leaves D'Agostino and starts his own orchestra.[57]Single source

Enrique Campos Last performance with Tanturi, at the Club Unión de Caseros, in April.[58]Single source

Raúl Kaplun Leaves Demare in April; in June forms his own orchestra with Horacio Quintana, debuting at Café El Nacional.[59]Single source

Julio Martel The orchestra signs for Radio El Mundo's 'Glostora Tango Club', which makes him famous.[60]Single source