The Cabeceo

We've caught your eye across the milonga. Like any good tango, this starts with consent — nothing optional runs until you say so.Cookies only with your yes. What we store.

Skip to content
Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

61 Performances · 2007–2025

Tihamer Bogdan & Katalin Czidor

Tihamer Bogdan · Katalin Czidor

In 38% of their Performances, Tihamer Bogdan & Katalin Czidor danced Carlos Di Sarli; the average couple, 13%.

Orchestra known in 34 of 61 Performances. The line is the average couple.

The periods they dance most

Share of the 28 Performances whose record we can date.

  • Di Sarli · Calm and grand 1954–195814%
  • Di Sarli · Melodic 1942–194914%
  • Canaro · With Maida 1933–193811%
  • Di Sarli · Energetic 1939–194211%
  • Biagi · With Amor 1943–195611%

Their records

  1. No me pregunten por quéCarlos Di SarliMario Pomar
    2 dances
  2. La mulateadaCarlos Di SarliRoberto Rufino
    2 dances
  3. No estaCarlos Di SarliAlberto Podestá
    2 dances
  4. Milonga criollaFrancisco Canaroinstrumental
    2 dances
  5. Casas viejasFrancisco CanaroRoberto Maida
    2 dances
  6. El fleteJuan D'Arienzoinstrumental
    2 dances
  7. Milonga antiguaMiguel CalóRaúl Berón
    2 dances
  8. Mañana por la mañanaRodolfo BiagiAlberto Amor
    2 dances

Couples who dance most like them

  • 90% alike
  • 89% alike
  • 89% alike
  • 89% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,864 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.