The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

153 Performances · 2007–2026

Serkan Gökçesu & Cecilia Garcia

Serkan Gökçesu · Cecilia Garcia

In 22% of their Performances, Serkan Gökçesu & Cecilia Garcia danced Carlos Di Sarli; the average couple, 13%.

Orchestra known in 97 of 153 Performances. The line is the average couple.

The periods they dance most

Share of the 51 Performances whose record we can date.

  • Pugliese · Maciel shines 1954–196726%
  • Di Sarli · Calm and grand 1954–195820%
  • Canaro · With Maida 1933–193814%
  • Biagi · First orchestra 1938–194212%
  • Di Sarli · The return 1951–195412%

Their records

  1. El pañuelito

    Osvaldo Pugliese · Jorge Maciel

    7 dances
    1959
  2. El jagüel

    Carlos Di Sarli · Instrumental

    4 dances
    1956
  3. Nueve puntos

    Carlos Di Sarli · Instrumental

    3 dances
    1952
  4. Bahia Blanca

    Carlos Di Sarli · Instrumental

    3 dances
    1957
  5. Viviani

    Carlos Di Sarli · Instrumental

    3 dances
    1956
  6. Viejo portón

    Rodolfo Biagi · Teófilo Ibáñez

    3 dances
    1938
  7. Una fija

    Carlos Di Sarli · Instrumental

    2 dances
    1954
  8. Milonga sentimental

    Francisco Canaro · Ernesto Famá, Ángel Ramos

    2 dances
    1933

Couples who dance most like them

  • 86% alike
  • 85% alike
  • 82% alike
  • 82% alike

Their other partners here

  • 49
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.