The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

28 Performances · 2008–2013

Rebecca Shulman & Evan Griffiths

Rebecca Shulman · Evan Griffiths

In 27% of their Performances, Rebecca Shulman & Evan Griffiths danced Ricardo Tanturi; the average couple, 5%.

Orchestra known in 15 of 28 Performances. The line is the average couple.

The periods they dance most

Share of the 13 Performances whose record we can date.

  • Tanturi · With Castillo 1939–194331%
  • Di Sarli · Melodic 1942–194923%
  • D'Arienzo · Faster with Polito 1938–193915%
  • De Caro · After Laurenz 1934–19438%
  • Troilo · Energetic 1941–19448%

Their records

  1. El bulin de la calle Ayacucho

    Aníbal Troilo · Francisco Fiorentino

    1 dance
    1941
  2. Esta noche de luna

    Carlos Di Sarli · Roberto Rufino

    1 dance
    1943
  3. Gracias

    Carlos Di Sarli · Jorge Durán

    1 dance
    1946
  4. Motivo sentimental

    Carlos Di Sarli · Alberto Podestá

    1 dance
    1944
  5. Recuerdos de la Pampa

    Juan D'Arienzo · Alberto Echagüe

    1 dance
    1939
  6. Estampa de varón

    Juan D'Arienzo · Alberto Echagüe

    1 dance
    1938
  7. Anibal Troilo

    Julio De Caro · Instrumental

    1 dance
    1949
  8. Un dilema

    Julio De Caro · Agustín Volpe

    1 dance
    1942

Couples who dance most like them

  • 86% alike
  • 82% alike
  • 81% alike
  • 81% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.