The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

17 Performances · 2015–2019

Jelena Minić & Milos Miloradovic

Jelena Minić · Milos Miloradovic

In 23% of their Performances, Jelena Minić & Milos Miloradovic danced Osvaldo Pugliese; the average couple, 17%.

Orchestra known in 13 of 17 Performances. The line is the average couple.

The periods they dance most

Share of the 10 Performances whose record we can date.

  • Laurenz · Victor years 1937–194320%
  • Pugliese · Maciel shines 1954–196720%
  • Biagi · With Amor 1943–195620%
  • D'Arienzo · Slowing down 1940–194420%
  • Pugliese · Mature style 1950–195410%

Their records

  1. A mis compañeros

    Osvaldo Pugliese · Instrumental

    2 dances
    1956

  2. Adoración

    Rodolfo Biagi · Hugo Duval, Carlos Heredia

    2 dances
    1951

  3. Nunca mas

    Juan D'Arienzo · Héctor Mauré

    1 dance
    1941

  4. Loca

    Juan D'Arienzo · Instrumental

    1 dance
    1942

  5. Para dos

    Osvaldo Pugliese · Instrumental

    1 dance
    1952

  6. La vida es una milonga

    Pedro Laurenz · Martin Podestá

    1 dance
    1941

  7. Milonga de mis amores

    Pedro Laurenz · Héctor Farrel

    1 dance
    1937

  8. Sollozo de bandoneón

    Ricardo Tanturi · Enrique Campos

    1 dance
    1943

Couples who dance most like them

  • 80% alike
  • 78% alike
  • 77% alike
  • 75% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.