The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

56 Performances · 2014–2025

Matias Díaz & Camila Fontán

Matias Díaz · Camila Fontán

In 39% of their Performances, Matias Díaz & Camila Fontán danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 26 of 56 Performances. The line is the average couple.

The periods they dance most

Share of the 17 Performances whose record we can date.

  • Biagi · First orchestra 1938–194224%
  • D'Arienzo · Late years 1957–197624%
  • D'Arienzo · Faster with Polito 1938–193918%
  • Troilo · Energetic 1941–194412%
  • Di Sarli · Melodic 1942–194912%

Their records

  1. Mi dolor

    Juan D'Arienzo · Osvaldo Ramos

    2 dances
    1972

  2. Ficha de oro

    Aníbal Troilo · Francisco Fiorentino

    1 dance
    1942

  3. En esta tarde gris

    Aníbal Troilo · Francisco Fiorentino

    1 dance
    1941

  4. Corazón

    Carlos Di Sarli · Roberto Rufino

    1 dance
    1939

  5. Ojos negros

    Carlos Di Sarli · Instrumental

    1 dance
    1945

  6. Volver a vernos

    Carlos Di Sarli · Alberto Podestá

    1 dance
    1942

  7. Ya lo ves

    Juan D'Arienzo · Armando Laborde

    1 dance
    1964

  8. Judas

    Juan D'Arienzo · Héctor Mauré

    1 dance
    1942

Couples who dance most like them

Their orchestra is known in only 46% of their Performances, too few to compare them with other couples.

Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.