The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

26 Performances · 2013–2018

Panagiotis Karaboulas & Maria Mantziou

Panagiotis Karaboulas · Maria Mantziou

In 65% of their Performances, Panagiotis Karaboulas & Maria Mantziou danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 17 of 26 Performances. The line is the average couple.

The periods they dance most

Share of the 16 Performances whose record we can date.

  • Pugliese · Maciel shines 1954–196744%
  • D'Arienzo · Faster with Polito 1938–193925%
  • D'Arienzo · With Biagi 1935–193825%
  • D'Arienzo · Slowing down 1940–194419%
  • D'Arienzo · The king is back 1944–194913%

Their records

  1. A mis compañeros

    Osvaldo Pugliese · Instrumental

    4 dances
    1956

  2. Quejumbroso

    Osvaldo Pugliese · Instrumental

    3 dances
    1959

  3. Recuerdos de la Pampa

    Juan D'Arienzo · Alberto Echagüe

    2 dances
    1939

  4. La espuela

    Juan D'Arienzo · Instrumental

    2 dances
    1946

  5. N.N.

    Osvaldo Pugliese · Instrumental

    2 dances
    1952

  6. Que tiempo aquel

    Francisco Lomuto · Jorge Omar

    1 dance
    1938

  7. Paciencia

    Juan D'Arienzo · Alberto Echagüe

    1 dance
    1970

  8. Rawson

    Juan D'Arienzo · Instrumental

    1 dance
    1936

Couples who dance most like them

  • 96% alike
  • 95% alike
  • 94% alike
  • 94% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.