The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

183 Performances · 2010–2026

Federico Naveira & Sabrina Masso

Federico Naveira · Sabrina Masso

In 40% of their Performances, Federico Naveira & Sabrina Masso danced Osvaldo Pugliese; the average couple, 17%.

Orchestra known in 146 of 183 Performances. The line is the average couple.

The periods they dance most

Share of the 121 Performances whose record we can date.

  • Pugliese · Maciel shines 1954–196719%
  • Laurenz · Victor years 1937–194318%
  • Pugliese · Late years 1967–199515%
  • D'Arienzo · With Biagi 1935–193811%
  • Troilo · Late years 1961–197511%

Their records

  1. Amurado

    Pedro Laurenz · Juan Carlos Casas

    14 dances
    1940

  2. Gallo ciego

    Osvaldo Pugliese · Instrumental

    8 dances
    1959

  3. Estampa de varón

    Juan D'Arienzo · Alberto Echagüe

    7 dances
    1938

  4. La mariposa

    Osvaldo Pugliese · Instrumental

    7 dances
    1985

  5. El látigo

    Juan D'Arienzo

    6 dances
    1970

  6. Balada para un loco

    Osvaldo Pugliese

    6 dances
    1970

  7. No me extraña

    Pedro Laurenz · Juan Carlos Casas

    6 dances
    1940

  8. Dichas que viví

    Rodolfo Biagi · Andrés Falgás

    6 dances
    1939

Couples who dance most like them

  • 92% alike
  • 91% alike
  • 91% alike
  • 91% alike

Their other partners here

  • 116
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,864 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.