The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

367 Performances · 2008–2026

Daniel Nacucchio & Cristina Sosa

Daniel Nacucchio · Cristina Sosa

In 55% of their Performances, Daniel Nacucchio & Cristina Sosa danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 310 of 367 Performances. The line is the average couple.

The periods they dance most

Share of the 271 Performances whose record we can date.

  • D'Arienzo · The king is back 1944–194924%
  • Pugliese · Early years 1943–194517%
  • D'Arienzo · Late years 1957–197616%
  • Laurenz · With Podestá 1943–194413%
  • D'Arienzo · Slowing down 1940–194413%

Their records

  1. Corrientes y Esmeralda

    Osvaldo Pugliese · Roberto Chanel

    35 dances
    1944

  2. Pan comido

    Juan D'Arienzo · Alberto Echagüe

    25 dances
    1946

  3. Maldonado

    Pedro Laurenz · Alberto Podestá

    25 dances
    1943

  4. Judas

    Juan D'Arienzo · Héctor Mauré

    23 dances
    1942

  5. Chaparron

    Juan D'Arienzo · Alberto Echagüe

    20 dances
    1946

  6. Pensalo bien

    Juan D'Arienzo · Alberto Echagüe

    18 dances
    1938

  7. Palabras amargas

    Juan D'Arienzo · Armando Laborde

    16 dances
    1956

  8. Mano brava

    Aníbal Troilo · Francisco Fiorentino

    14 dances
    1941

Couples who dance most like them

  • 97% alike
  • 96% alike
  • 96% alike
  • 96% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.