The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

109 Performances · 2005–2026

Alejandra Armenti & Daniel Juarez

Alejandra Armenti · Daniel Juarez

In 21% of their Performances, Alejandra Armenti & Daniel Juarez danced Francisco Canaro; the average couple, 6%.

Orchestra known in 71 of 109 Performances. The line is the average couple.

The periods they dance most

Share of the 39 Performances whose record we can date.

  • Canaro · Later years 1939–196431%
  • Di Sarli · Melodic 1942–194918%
  • D'Arienzo · Slowing down 1940–194418%
  • Pugliese · Late years 1967–199513%
  • D'Arienzo · Salamanca in the 50s 1950–195710%

Their records

  1. Vibraciones del alma

    Francisco Canaro · Instrumental

    12 dances
    1956

  2. Dime mi amor

    Juan D'Arienzo · Héctor Mauré

    7 dances
    1941

  3. Esta noche de luna

    Carlos Di Sarli · Roberto Rufino

    6 dances
    1943

  4. El puntazo

    Juan D'Arienzo · Instrumental

    4 dances
    1952

  5. Desde el alma

    Osvaldo Pugliese · Instrumental

    4 dances
    1985

  6. Reliquias porteñas

    Francisco Canaro · Instrumental

    3 dances
    1938

  7. Remembranza

    Osvaldo Pugliese · Jorge Maciel

    3 dances
    1956

  8. Tú, el cielo y tú

    Carlos Di Sarli · Alberto Podestá

    1 dance
    1944

Couples who dance most like them

  • 75% alike
  • 74% alike
  • 73% alike
  • 70% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.