The Cabeceo

We've caught your eye across the milonga. Like any good tango, this starts with consent — nothing optional runs until you say so.Cookies only with your yes. What we store.

Skip to content
Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

21 Performances · 2015–2017

Serdar Ömer & Ceren Oztunc

Serdar Ömer · Ceren Oztunc

In 47% of their Performances, Serdar Ömer & Ceren Oztunc danced Sexteto Milonguero; the average couple, 1%.

Orchestra known in 15 of 21 Performances. The line is the average couple.

The periods they dance most

Share of the 13 Performances whose record we can date.

  • Lomuto · With Omar 1935–193931%
  • Di Sarli · The return 1951–195423%
  • Biagi · With Amor 1943–195615%
  • Biagi · First orchestra 1938–194215%
  • Caló · Orchestra of the stars 1939–194415%

Their records

  1. Que tiempo aquelFrancisco LomutoJorge Omar
    4 dances
  2. Una fijaCarlos Di Sarliinstrumental
    3 dances
  3. Cantando se van las penasRodolfo BiagiJorge Ortiz
    2 dances
  4. El recodoRodolfo Biagiinstrumental
    2 dances
  5. Tus labios me diránCarlos Di SarliJorge Durán
    1 dance
  6. De qué podemos hablarCarlos Di SarliJorge Durán
    1 dance
  7. MuchachaFrancisco CanaroEduardo Adrian
    1 dance
  8. Milonga criollaFrancisco Canaroinstrumental
    1 dance

Couples who dance most like them

  • 70% alike
  • 69% alike
  • 69% alike
  • 62% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,864 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.