The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

80 Performances · 2003–2026

Levan Gomelauri & Cecilia Acosta

Levan Gomelauri · Cecilia Acosta

In 29% of their Performances, Levan Gomelauri & Cecilia Acosta danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 58 of 80 Performances. The line is the average couple.

The periods they dance most

Share of the 45 Performances whose record we can date.

  • D'Arienzo · Faster with Polito 1938–193911%
  • D'Arienzo · Slowing down 1940–19449%
  • Troilo · Sentimental 1944–19499%
  • D'Arienzo · With Biagi 1935–19389%
  • D'Arienzo · The king is back 1944–19499%

Their records

  1. Rie payaso

    Juan D'Arienzo · Carlos Casares

    2 dances
    1940

  2. La cicatriz

    Juan D'Arienzo · Alberto Echagüe

    2 dances
    1939

  3. Jamás retornarás

    Miguel Caló · Raúl Berón

    2 dances
    1942

  4. Esta ciudad

    Osvaldo Pugliese · Jorge Maciel

    2 dances
    1967

  5. Yo soy de San Telmo

    Pedro Laurenz · Alberto Podestá

    2 dances
    1943

  6. Guapo y varón

    Rodolfo Biagi · Jorge Ortiz

    2 dances
    1940

  7. Entre copa y copa

    Ángel D'Agostino · Ángel Vargas

    1 dance
    1942

  8. Tristeza criolla

    Ángel D'Agostino · Ángel Vargas

    1 dance
    1945

Couples who dance most like them

  • 93% alike
  • 92% alike
  • 91% alike
  • 91% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.