The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

80 Performances · 2008–2019

Artem Mayorov & Julia Osina

Artem Mayorov · Julia Osina

In 18% of their Performances, Artem Mayorov & Julia Osina danced Adriana varela; the average couple, <1%.

Orchestra known in 34 of 80 Performances. The line is the average couple.

The periods they dance most

Share of the 17 Performances whose record we can date.

  • Biagi · With Amor 1943–195624%
  • Canaro · With Charlo 1927–193212%
  • Di Sarli · Calm and grand 1954–195812%
  • Troilo · Sentimental 1944–19496%
  • Pugliese · Maciel shines 1954–19676%

Their records

  1. Sin palabras

    Rodolfo Biagi · Carlos Saavedra

    4 dances
    1946
  2. Canaro en París

    Francisco Canaro · Instrumental

    2 dances
    1927
  3. Palomita blanca

    Aníbal Troilo · Alberto Marino, Floreal Ruiz

    1 dance
    1944
  4. Bahia Blanca

    Carlos Di Sarli · Instrumental

    1 dance
    1957
  5. Bailemos

    Carlos Di Sarli · Mario Pomar

    1 dance
    1955
  6. Milonga brava

    Francisco Canaro · Roberto Maida

    1 dance
    1938
  7. Claudinette

    Juan D'Arienzo · Héctor Mauré

    1 dance
    1942
  8. Bien Pulenta

    Juan D'Arienzo · Alberto Echagüe

    1 dance
    1950

Couples who dance most like them

Their orchestra is known in only 43% of their Performances, too few to compare them with other couples.

Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,710 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 887 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.