The Cabeceo

We've caught your eye across the milonga. Like any good tango, this starts with consent — nothing optional runs until you say so.Cookies only with your yes. What we store.

Skip to content
Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

83 of 891 couples, most danced first. Swipe for the next.

149 Performances · 2011–2026

Alberto Bersini & Paola Pinessi

Alberto Bersini · Paola Pinessi

In 24% of their Performances, Alberto Bersini & Paola Pinessi danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 91 of 149 Performances. The line is the average couple.

The periods they dance most

Share of the 67 Performances whose record we can date.

  • Tanturi · With Castillo 1939–194318%
  • Pugliese · Maciel shines 1954–196715%
  • D'Arienzo · Faster with Polito 1938–193913%
  • D'Arienzo · Slowing down 1940–194412%
  • Canaro · With Maida 1933–19389%

Their records

  1. Que falta que me hacésOsvaldo PuglieseJorge Maciel
    4 dances
  2. CascabelitoOsvaldo PuglieseJorge Maciel
    4 dances
  3. Una noche de garufaRicardo Tanturiinstrumental
    4 dances
  4. VamosCarlos Di SarliAlberto Podestá
    3 dances
  5. La milonga de mis tiemposFrancisco Canaroinstrumental
    3 dances
  6. Parque PatriciosFrancisco LomutoFernando Díaz
    3 dances
  7. La cicatrizJuan D'ArienzoAlberto Echagüe
    3 dances
  8. Milonga del recuerdoJuan D'ArienzoAlberto Echagüe
    3 dances

Couples who dance most like them

  • 94% alike
  • 94% alike
  • 94% alike
  • 93% alike
Their Performances on the couple page

1,093 couples have 15 or more dated Performances (65,864 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 46%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.