The Cabeceo

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Dancers

What dancers dance to

The orchestras each couple dances to, as a share of their Performances, and the couples who choose alike. Open a couple to hear the records they dance most.

385 of 891 couples, most danced first. Swipe for the next.

43 Performances · 2022–2025

Sebastian Jimenez & Agostina Tarchini

Sebastian Jimenez · Agostina Tarchini

In 32% of their Performances, Sebastian Jimenez & Agostina Tarchini danced Juan D'Arienzo; the average couple, 25%.

Orchestra known in 37 of 43 Performances. The line is the average couple.

The periods they dance most

Share of the 23 Performances whose record we can date.

  • Pugliese · Early years 1943–194517%
  • D'Arienzo · Salamanca in the 50s 1950–195717%
  • Pugliese · Late years 1967–199513%
  • D'Arienzo · The king is back 1944–194913%
  • Pugliese · Mature style 1950–195413%

Their records

  1. El puntazoJuan D'Arienzoinstrumental
    4 dances
  2. RecuerdoOsvaldo Puglieseinstrumental
    3 dances
  3. La mentirosaOsvaldo PuglieseAlberto Morán
    3 dances
  4. Balada para un locoOsvaldo Pugliese
    3 dances
  5. Vibraciones del almaFrancisco Canaroinstrumental
    2 dances
  6. Milonga del corazónJuan D'ArienzoAlberto Echagüe
    2 dances
  7. La espuelaJuan D'Arienzoinstrumental
    2 dances
  8. Caserón de tejasPedro LaurenzAlberto del Campo
    2 dances

Couples who dance most like them

  • 83% alike
  • 82% alike
  • 80% alike
  • 80% alike

Their other partners here

  • 279
  • 26
  • 99
  • 22
  • 15
  • 15
  • 28
Their Performances on the couple page

1,094 couples have 15 or more dated Performances (65,981 Performances). We know the orchestra of at least one Dance in 65% of them, and the recording’s period in 47%; only those count. 891 couples with ten or more are shown. A Performance with several orchestras counts for each, so a couple’s shares can add up to more than 100%.

From TangoTube’s videos: who danced, and what the Dances were danced to. “Alike” compares the shares of couples whose orchestra we know in at least half their Performances.