TBY Love Special
Dag Stenvoll y Michael Lavocah · 30 de dic de 2020 · 4:08:21
A special on love in tango music: Stenvoll plays only tangos, waltzes and milongas with 'amor' in the title, from 1926 to Pugliese live in 1992, while Lavocah gives the short version of his lecture on how tango lyrics grow up. Early lyrics are naive (La morocha, 1905), then from Mi noche triste (1917) come about three decades of blame, forgiveness and revenge, and finally a nuanced grey zone in later Manzi and 1950s tangos where people plead for another try. In a long Lost-After-Party-style closing set Lavocah drops tango altogether and plays love songs from France, Colombia, Cuba, Lebanon, Portugal, Mexico, Turkey and Russia. The show also announces that Lavocah will host 'lost after parties' for 1941, 1944, 1947 and 1951 on the off-weeks.
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TBY Lost Afterparty I - 1941Episodio 26 · 6 de ene de 2021 · 3:18:27Lo que este episodio dio a Tangopedia
Datos dichos en el episodio, cada uno citado al minuto en que se dice.
Tango lyrics about love grow up over time: early ones (La morocha, 1905) are naive and happily-ever-after; from Mi noche triste (1917) the man is abandoned, and for about three decades most lyrics are blame, anger, shame (often put on the woman), with only two options: forgiveness or revenge. Later lyrics, such as Manzi's and a 1956 tango, reach a nuanced grey zone.
In La morocha (1905) the woman makes the man's mate and keeps house, and he rides off as a gaucho and comes home to a tidy house; Lavocah uses it as the naive period of tango lyrics.
Troilo rated Le Pera highly as a lyricist: just as there is a big four of tango orchestras there is a big four of lyricists, and Troilo said Le Pera was 'number five'. Gardel and Le Pera wrote a huge number of works together.
Acuña's Cuando el amor muera is one of the rare Di Sarli vocals without Rufino: when Rufino returned, the stand-in singer was always kept on briefly, but would get fed up and leave.
By 1958, with few dancers left, the surviving bands become more symphonic and operatic in delivery, as heard in Di Sarli's last recordings with Horacio Casares.
Capítulo · 2:47
From 'happily ever after' to 'forgive or take revenge'
Tango lyrics grew up in three stages.
A Gardel composition about love's two sides, joy and pain; its theme is forgiveness, and Maida's velvety voice softens Canaro's martial beat.
♪ Música · 2:19 ·
Capítulo · 12:18
A cattle baron who lost it all
Firpo tried to retire and become a rancher.
Firpo made two recordings with this title in 1929, a waltz and this tango; played as an example of early happy love.
♪ Música · 2:11 ·
A rare Di Sarli vocal without Rufino, with Acuña filling in; a sad lyric about a love that will end.
Solo en el episodio
One of Di Sarli's last recordings, in 1958, symphonic and operatic; heard as 'Call me my love'. Lyrics promise to arrive on silver moonbeams.
Solo en el episodio
A Schiammarella milonga in lunfardo about love as a game, with chat-up lines.
Solo en el episodio
♪ Música · 2:45 ·
A funny milonga about an old man in love who wears a corset at night and does not smile for fear his false teeth fall out.
Verlo bailado · 29
A conversational Lomuto track from a very good year for the orchestra; lyric 'love is like a dream or an illusion'.
Solo en el episodio
♪ Música · 1:42 ·
A restrained, Caló-like Maderna track about love lost or wasted, with a callow ending, unusual for his piano-heavy records.
Solo en el episodio
♪ Música · 2:27 ·
One of the few post-1938 Canaro tracks Stenvoll likes; Roldán's darker voice fits the lyric about a last kiss.
Solo en el episodio
♪ Música · 0:02 ·
Capítulo · 50:10
Getting Salamanca out of jail
D'Arienzo missed a rehearsal to bail out his pianist.
Salamanca's own orchestra after leaving D'Arienzo; a lost-love lyric seeing the ex on another man's arm.
♪ Música · 2:17 · La letra, en la página del tango
Verlo bailado · 13
A bitter waltz serenade to a lost love; the last word is 'traición'.
Solo en el episodio
♪ Música · 1:51 ·
Piano-and-guitar accompaniment from a Paris record; a song known across South America that says an old love never says goodbye.
Solo en el episodio
♪ Música · 2:24 ·
A hit from the stage show La muchachada del centro; Falcón's voice and held notes, and a counter-melody by a muted cornet or trumpet.
Solo en el episodio
♪ Música · 3:33 ·
A high-octane tango; Mauré holds the vowel in 'amor' for about five seconds.
♪ Música · 3:15 · La letra, en la página del tango
Verlo bailado · 362
Valdez, young in the band, begs for a single minute of love, in a party-piece vowel stretch like his Remembranza.
Verlo bailado · 1
Capítulo · 1:22:55
The saw that sold 20,000 records
A tango musician became famous for playing a saw.
An early instrumental played for its title ('Orgies of Love'); it sounds more mellow than orgiastic.
Solo en el episodio
A Gardel song where the lover has torn up the letter saying he would never return; Gardel makes an average lyric sound great. Canaro recorded an instrumental of it in 1927.
Solo en el episodio
♪ Música · 1:56 ·
Capítulo · 1:33:40
Troilo and the lyric that is about you
One day you will realise the song is about you.
A nuanced, mature lyric: a man who has had thousands of love affairs but knows he still has more to learn about love.
♪ Música · 2:56 ·
Verlo bailado · 5
A dramatic late Pugliese vocal on Polygram, about being torn between two loves; Lavocah notes the lyric dates back to 1932.
♪ Música · 2:45 ·
A very slow, feel-good waltz sung from a male perspective, accompanied by a trio of typical players.
Solo en el episodio
♪ Música · 3:39 ·
The three important things in life in an Argentine man's order; the Lomuto version was in Tango 1939.
Solo en el episodio
♪ Música · 2:31 ·
Vargas, who we do not usually associate with love songs, in a song by Luis Tasso that De Angelis also recorded; Lavocah thinks Troilo would have found the lyric not sophisticated enough.
Solo en el episodio
♪ Música · 3:04 ·
Ruiz re-sings a 1943 De Angelis hit, with free phrasing; a lyric about someone literally dying of love.
♪ Música · 2:58 · La letra, en la página del tango
A hit of 1956-57 with 12 recordings; Stenvoll finds nobody 'puts more petrol on the fire' than Morán, though he thinks it shows few great compositions in the late 1950s.
Solo en el episodio
♪ Música · 3:07 · La letra, en la página del tango
A Biagi waltz that had everyone dancing in their windows.
♪ Música · 2:10 · La letra, en la página del tango
Verlo bailado · 63
'An absolute classic' from an earlier era, 'crazy from love'.
La letra, en la página del tango
Verlo bailado · 82
Pedro Laurenz's milonga in Charlo's solo version with guitars: a nostalgic longing for the past and for the old village.
Solo en el episodio
♪ Música · 2:48 · La letra, en la página del tango
An instrumental by the composer of En sueños, with a Hawaiian guitar and a melody with an 'inherent logic'.
♪ Música · 2:21 ·
A wonderful Lamarca voice in a Maurano composition about a sweet new love.
Solo en el episodio
♪ Música · 2:21 ·
Capítulo · 2:36:45
Dizzy Gillespie at the Rendezvous
A jazz giant recorded four tangos with Fresedo.
A track with trumpeter Dizzy Gillespie, recorded when he visited the Rendezvous club in 1956 (with Vida mía, Adiós muchachos and Preludio no. 3); not a tango for dancing.
♪ Música · 3:45 ·
Capítulo · 2:45:30
Waiting 40 years for a singer
Pugliese kept a tango in a drawer for four decades.
A live performance by an 87-year-old Pugliese, of a tango he wrote in the late 1940s for Morán, who rejected it; he waited decades for Guida.
Solo en el episodio
The 'compasita' of the night: a very romantic Fresedo waltz, here with a harp introduction on the new Tango Time Travel compilation.
♪ Música · 3:02 ·
Verlo bailado · 1
After-party: the oldest love song Lavocah had access to; the melody was later borrowed for an Elvis song.
Solo en el episodio
♪ Música · 3:11 ·
After-party: a French orchestra plays a Piaf song as a tango, from a record in a listener's private collection; it opens by quoting the first song.
♪ Música · 0:02 ·
After-party: an instrumental interpretation of the question Cole Porter asked in 1929.
Solo en el episodio
♪ Música · 3:09 ·
After-party: a live recording from the Théâtre de l'Étoile in Paris; Lavocah praises her naturalness.
Solo en el episodio
♪ Música · 6:31 ·
After-party: a joyful Colombian song, 'voy a robarte en secreto la noche', played to move from French to Spanish-language love lyrics.
Solo en el episodio
After-party: an intimate Cuban cabaret song by a singer-pianist nicknamed Snowball for his round head.
Solo en el episodio
♪ Música · 3:13 ·
After-party: Lebanon's biggest singer, 'the Arabic Edith Piaf', whose voice sits between Eastern and Western; English title 'Laura's Lover' as heard.
Solo en el episodio
After-party: Holiday on the lighter side of love, from her early years with the Teddy Wilson orchestra.
Solo en el episodio
♪ Música · 2:45 ·
After-party: a Portuguese fado from an album with all music by Alain Oulman (Lavocah calls it possibly the worst song on the album, and mentions As mãos que trago).
Solo en el episodio
After-party: Mexican trio with a requinto, the original line-up, singing a nostalgic song about 'a ray of light that went out'.
Solo en el episodio
♪ Música · 0:22 ·
After-party: Lymon was 13 when he performed it.
Solo en el episodio
After-party: a Turkish song by a deep-alto singer, 'the sea of love'; Turkish 'aşk' is passionate love.
Solo en el episodio
♪ Música · 3:00 ·
After-party: a late recording by a once-famous Russian tango singer, made shortly before his death.
Solo en el episodio
♪ Música · 2:49 ·
After-party: a song from Meet Me in St. Louis chosen because it says this Christmas is rubbish but perhaps next year will be better.
Solo en el episodio
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Tango By Year es de Dag Stenvoll y Michael Lavocah, publicado aquí con su permiso. El audio se reproduce desde SoundCloud.