Song
Y entonces llorarás
Versions of Y entonces llorarás recorded 1947
Y entonces llorarás was composed by Héctor Varela.† The lyrics of Y entonces llorarás are by Carlos Waiss.† Y entonces llorarás: The song's stop-time hook — the band dropping out so Laborde can enter in a hushed half-voice before returning to full power — borrows a dynamic contrast Lavocah associates with Troilo, something D'Arienzo doesn't usually do.†
The song
The piece as people name it, whoever plays it.
1 orchestra recorded it
14 Dances filmed to it
Who wrote it
- Music
- Hector Varela
- Words
- Carlos Waiss
- Written
- not yet cited · help fill it
- First played
- not yet cited · help fill it
Source: TangoCloud catalogue
Lyrics
Español
Cuando pasen los años, cuando veas un día hecho trizas mis sueños y tus fantasías habrás de sentir de que todo es mentira, de que todo es incierto de que todo es sufrir. Cuando tenga tu vida la impiedad del desierto, allí sobre el rosario de tus sueños muertos, te acordarás de mí. Y entonces llorarás, mientras quemes poco a poco, tus anhelos de vivir. Y entonces llorarás cuando el tiempo no respete, tu piel blanca de jazmín. Que horrible debe ser, cuando sientes que el pasado, se hace garfio en el rencor... Ver como tu orgullo se hace miedo, y entonces llorarás... y no seremos dos... Cuando pasen los años, cuando lodo tu empeño se haga cruz en los sueños, que mueren sin dueño llorando de amor. En tu vida sin flores, sin amigos, ni amores sangrará el corazón. Y estarás pobre y sola, con tu vida vencida, buscando inútilmente, consuelo a los heridas que el tiempo te dejó.
English · machine translation
When the years go by, when you see one day my dreams and your fantasies shattered you will feel that everything is a lie, that everything is uncertain, that everything is suffering. that everything is suffering. When your life has the impiety of the desert, there on the rosary of your dead dreams, you will remember me. And then you will weep, as you burn little by little your longing for life. And then you will cry when time does not respect your jasmine-white skin. How horrible it must be, when you feel the past becomes a hook in the rancor... To see your pride become fear, and then you'll cry... and there won't be two of us... When the years go by, when mud your determination becomes a cross in the dreams, which die without an owner weeping for love. In your life without flowers, without friends, without loves your heart will bleed. And you will be poor and alone, with your life defeated, seeking uselessly, consolation for the wounds that time has left you.
Every version
Computed from the catalogue, not yet written by anyone
1 recordings · our catalogue, dances filmed on TangoTube
a version people dance tono Dances matched yet: something to listen to
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One recording
A dated take, with its sound and the couples dancing it.
Couples filmed dancing this recording · 14 Performances
Danced to it
Music from 1947 · danced on film 2014–2026
2014: 3, 2015: 1, 2017: 3, 2019: 1, 2020: 1, 2021: 1, 2026: 3
In their words
The song's stop-time hook — the band dropping out so Laborde can enter in a hushed half-voice before returning to full power — borrows a dynamic contrast Lavocah associates with Troilo, something D'Arienzo doesn't usually do.
What was said, in our words
Michael Lavocah · TBY Lost Afterparty III - 1947
Read more
- PodcastTango By Year: TBY Lost Afterparty III - 1947
- EntryHéctor VarelaPerson
- EntryCarlos WaissPerson
- EntryY llorarás como yoComposition
- EntryLlorarás llorarásComposition
- EntryPor ti lloréComposition
- EntryY te dejé llorandoComposition
- EntrySe que te voy a llorarComposition
- EntryTe vi llorarComposition
What we don't know yet3 of 4 known
The year it was written.
Data: recordings, facts and sources
In other catalogues2
tango.info · T0370249005
TodoTango · tema/1344
Composer1
Composed by Héctor Varela
Lyricist1
Lyrics by Carlos Waiss
Notes1
The song's stop-time hook — the band dropping out so Laborde can enter in a hushed half-voice before returning to full power — borrows a dynamic contrast Lavocah associates with Troilo, something D'Arienzo doesn't usually do.
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