Person
Roberto Di Filippo
Roberto Di Filippo (1924–1991) was a bandoneon player and later oboist who recorded with Roberto Zerrillo's orchestra, played in Piazzolla's first own orchestra, and worked with Julio De Caro and Horacio Salgán [1][2][3]. From 1961 he was an oboist in the Teatro Colón orchestra [1].
Roberto Di Filippo was born on 12 June 1924 [3]. He made his first recordings in 1941 with the orchestra of Roberto Zerrillo [1]. In 1946 he played bandoneon in Piazzolla's first own orchestra, which debuted at the Café Marzotto [2].
Around 1949 and 1950 he played with the orchestras of Julio De Caro and Horacio Salgán, recording four titles for Victor with Salgán [1]. From 1951 he was in the Radio Splendid house orchestra, where he later switched to the oboe [1]. In 1961 he won a place as oboist in the Teatro Colón orchestra and stayed until about 1980 [1].
In his later years Piazzolla praised him publicly, and in 1984 called him the greatest bandoneonist in Argentina on Canal 7 [1]. Di Filippo died on 15 February 1991 [1].
Early career
In 1941 Di Filippo made his first recordings with Roberto Zerrillo's orchestra [1]. These first sides were El repique and Aquel preludio de amor [1].
In 1946 he played bandoneon in Piazzolla's first own orchestra [2]. That orchestra made its debut at the Café Marzotto [2].
With De Caro and Salgán
In mid-1949 Di Filippo joined the orchestra of Julio De Caro [1].
In April 1950 he joined Horacio Salgán [1]. That year, with Salgán, he recorded four titles for the Victor label [1].
Radio and the oboe
In 1951 Di Filippo joined the house orchestra of Radio Splendid [1]. While with that orchestra he later switched from bandoneon to oboe [1].
In 1961 he won a place as oboist in the orchestra of the Teatro Colón [1]. He remained in that orchestra until about 1980 [1].
Recognition by Piazzolla
On 15 July 1981 Piazzolla sent Di Filippo a recorded message of praise from Paris [1].
On 28 June 1984, speaking on Canal 7, Piazzolla named Di Filippo the greatest bandoneonist in Argentina [1]. This assessment was Piazzolla's own [1].
Recordings
Recordings documented in the sources include [1]:
References
- Roberto Di Filippo · todotango.com
- Café Marzotto · es.wikipedia.org
- Tangopedia staff · tangopedia.app
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Data: recordings, facts and sources
As a musician1941–1980
- bandoneon, 1941–1951
- oboe, 1951–1980
As a musician
The orchestras the sources place them in, with the years each source gives, and what they arranged. Every line links its source.
Instruments: bandoneon, oboe.
Played in
- 1949
Notes10
First recordings with Roberto Zerrillo's orchestra: El repique and Aquel preludio de amor.1941
Single sourceBandoneon in Piazzolla's first own orchestra, which debuts at the Café Marzotto.1946
Single sourceJoins Julio De Caro's orchestra in mid-year.1949
Single sourceJoins Horacio Salgán in April and records four titles for Victor.1950
Single sourceJoins the Radio Splendid house orchestra, later switching to oboe there.1951
Single sourceWins a place as oboist in the Teatro Colón orchestra, staying until about 1980.1961
Single sourcePiazzolla sends him a recorded message of praise from Paris on 15 July.Jul 15, 1981
Single sourceOn Canal 7 Piazzolla names him the greatest bandoneonist in Argentina.Jun 28, 1984
Single sourceDies.Feb 15, 1991
Single sourceBandoneonista
Supported · 2Born1
Born on June 12, 1924
Supported · 3In other catalogues2
Died1
Died on February 15, 1991
Supported · 2Birthplace1
Born in Peyrano (Santa Fe) Argentina
Supported · 2Played in1
Played in Julio De Caro1949
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