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Héctor María Artola

Héctor María Artola was a tango musician and orchestra director, born on 30 April 1903, whose career included work in Montevideo, Paris and Hamburg and later in Buenos Aires radio [1][2][3]. He played with the Bianco-Bachicha orchestra, Rafael Canaro's orchestra and Osvaldo Fresedo's orchestra, accompanied Libertad Lamarque, and recorded for Odeon with Oscar Alonso [1][2].

Héctor María Artola was born on 30 April 1903 [3]. According to the available sources, his career began in 1925, when he debuted in Carlos Warren's orchestra at the Capitol cinema in Montevideo [1].

In the late 1920s and early 1930s Artola worked in Europe [2]. He arrived in France on 24 December 1927 to join the Bianco-Bachicha orchestra in Paris [2]. In 1930 he joined Bachicha's orchestra at the Montparnasse cabaret in Paris [2], and in 1931 he joined Los Ases Argentinos del Tango in Hamburg [2]. He played in Paris again in 1938, with Rafael Canaro's orchestra [1].

Between these European periods, Artola was contracted in 1934 to accompany the singer Libertad Lamarque, an engagement that lasted until 1937 [2]. He joined Osvaldo Fresedo's orchestra in March 1941 and stayed until early 1942 [2]. In 1949 he became orchestra director at Radio El Mundo and Radio Belgrano, and he recorded for the Odeon label with Oscar Alonso [2].

Artola retired in 1967 [2]. On 8 November 1968 he premiered *Como el incienso*, a tango-style piece written for church, at San Juan Bosco [2]. He died in Buenos Aires on 18 July 1982 and was buried in San José [1].

Early career in Montevideo

The earliest professional activity recorded for Artola is his 1925 debut in the orchestra of Carlos Warren [1]. The performance took place at the Capitol cinema in Montevideo [1]. The sources do not say which instrument he played in this orchestra or how long he remained with it [1].

Europe: Paris and Hamburg

Artola travelled to Europe at the end of 1927 and arrived in France on 24 December 1927 [2]. He came to join the Bianco-Bachicha orchestra, which was then working in Paris [2].

He remained active in Paris into the next decade [2]. In 1930 he joined Bachicha's orchestra at the Montparnasse cabaret in the city [2]. In 1931 he moved to Germany, where he joined Los Ases Argentinos del Tango in Hamburg [2].

Artola returned to Paris later in the decade [1]. In 1938 he played there with Rafael Canaro's orchestra [1].

Work with Libertad Lamarque and Osvaldo Fresedo

In 1934 Artola was contracted to accompany Libertad Lamarque [2]. This engagement continued until 1937 [2].

In March 1941 Artola joined the orchestra of Osvaldo Fresedo [2]. He stayed with Fresedo until early 1942 [2].

Radio direction and recordings

In 1949 Artola became orchestra director at two Buenos Aires broadcasters, Radio El Mundo and Radio Belgrano [2]. In the same period he recorded for the Odeon label with the singer Oscar Alonso [2]. The available sources do not list the titles or dates of these recordings [2].

Later life

Artola retired in 1967 [2]. On 8 November 1968, after his retirement, he premiered *Como el incienso*, a tango-style piece for church, at San Juan Bosco [2].

He died in Buenos Aires on 18 July 1982 [1]. He was buried in San José [1].

References

How Tangopedia works

  1. 1.Héctor María Artola · es.wikipedia.org
  2. 2.Héctor Artola · todotango.com
  3. 3.Tangopedia staff · tangopedia.app
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Data: recordings, facts and sources

As a musician1925–1949

  • bandoneon, 1925–1949
  • piano

As a composer

Notes12

Debuts in Carlos Warren's orchestra at the Capitol cinema in Montevideo.1925

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Arrives in France to join the Bianco-Bachicha orchestra in Paris.Dec 24, 1927

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Joins Bachicha's orchestra at the Montparnasse cabaret in Paris.1930

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Joins Los Ases Argentinos del Tango in Hamburg.1931

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Contracted to accompany Libertad Lamarque, until 1937.1934

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Plays in Paris with Rafael Canaro's orchestra.1938

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Joins Osvaldo Fresedo's orchestra in March, staying until early 1942.1941

Single source

Becomes orchestra director at Radio El Mundo and Radio Belgrano; records for Odeon with Oscar Alonso.1949

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Retires.1967

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Premieres Como el incienso, a tango-style piece for church, at San Juan Bosco.Nov 8, 1968

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Dies in Buenos Aires; buried in San José.Jul 18, 1982

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Artola was Troilo's main arranger in 1941-42 (writing about two arrangements a day) while playing in Fresedo's orchestra; later Argentino Galván and others shared the work, and Piazzolla arranged about ten numbers for Troilo in the 40s.

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Born1

Born on April 30, 1903

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Composer8

Equipaje — composed by Héctor María Artola

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La melodía del corazón — composed by Héctor María Artola

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Rey de copas — composed by Héctor María Artola

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Se va la lancha — composed by Héctor María Artola

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Falsedad — composed by Héctor María Artola

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En un rincón — composed by Héctor María Artola

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Marcas — composed by Héctor María Artola

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Desconsuelo — composed by Héctor María Artola

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In other catalogues1

tango.info · HectoArtol

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