Person
Héctor María Artola
Héctor María Artola was a tango musician and orchestra director, born on 30 April 1903, whose career included work in Montevideo, Paris and Hamburg and later in Buenos Aires radio [1][2][3]. He played with the Bianco-Bachicha orchestra, Rafael Canaro's orchestra and Osvaldo Fresedo's orchestra, accompanied Libertad Lamarque, and recorded for Odeon with Oscar Alonso [1][2].
Héctor María Artola was born on 30 April 1903 [3]. According to the available sources, his career began in 1925, when he debuted in Carlos Warren's orchestra at the Capitol cinema in Montevideo [1].
In the late 1920s and early 1930s Artola worked in Europe [2]. He arrived in France on 24 December 1927 to join the Bianco-Bachicha orchestra in Paris [2]. In 1930 he joined Bachicha's orchestra at the Montparnasse cabaret in Paris [2], and in 1931 he joined Los Ases Argentinos del Tango in Hamburg [2]. He played in Paris again in 1938, with Rafael Canaro's orchestra [1].
Between these European periods, Artola was contracted in 1934 to accompany the singer Libertad Lamarque, an engagement that lasted until 1937 [2]. He joined Osvaldo Fresedo's orchestra in March 1941 and stayed until early 1942 [2]. In 1949 he became orchestra director at Radio El Mundo and Radio Belgrano, and he recorded for the Odeon label with Oscar Alonso [2].
Artola retired in 1967 [2]. On 8 November 1968 he premiered *Como el incienso*, a tango-style piece written for church, at San Juan Bosco [2]. He died in Buenos Aires on 18 July 1982 and was buried in San José [1].
Early career in Montevideo
The earliest professional activity recorded for Artola is his 1925 debut in the orchestra of Carlos Warren [1]. The performance took place at the Capitol cinema in Montevideo [1]. The sources do not say which instrument he played in this orchestra or how long he remained with it [1].
Europe: Paris and Hamburg
Artola travelled to Europe at the end of 1927 and arrived in France on 24 December 1927 [2]. He came to join the Bianco-Bachicha orchestra, which was then working in Paris [2].
He remained active in Paris into the next decade [2]. In 1930 he joined Bachicha's orchestra at the Montparnasse cabaret in the city [2]. In 1931 he moved to Germany, where he joined Los Ases Argentinos del Tango in Hamburg [2].
Artola returned to Paris later in the decade [1]. In 1938 he played there with Rafael Canaro's orchestra [1].
Work with Libertad Lamarque and Osvaldo Fresedo
In 1934 Artola was contracted to accompany Libertad Lamarque [2]. This engagement continued until 1937 [2].
In March 1941 Artola joined the orchestra of Osvaldo Fresedo [2]. He stayed with Fresedo until early 1942 [2].
Radio direction and recordings
In 1949 Artola became orchestra director at two Buenos Aires broadcasters, Radio El Mundo and Radio Belgrano [2]. In the same period he recorded for the Odeon label with the singer Oscar Alonso [2]. The available sources do not list the titles or dates of these recordings [2].
Later life
Artola retired in 1967 [2]. On 8 November 1968, after his retirement, he premiered *Como el incienso*, a tango-style piece for church, at San Juan Bosco [2].
He died in Buenos Aires on 18 July 1982 [1]. He was buried in San José [1].
References
- 1.Héctor María Artola · es.wikipedia.org
- 2.Héctor Artola · todotango.com
- 3.Tangopedia staff · tangopedia.app
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Data: recordings, facts and sources
As a musician1925–1949
- bandoneon, 1925–1949
- piano
As a composer
Notes12
Debuts in Carlos Warren's orchestra at the Capitol cinema in Montevideo.1925
Single sourceArrives in France to join the Bianco-Bachicha orchestra in Paris.Dec 24, 1927
Single sourceJoins Bachicha's orchestra at the Montparnasse cabaret in Paris.1930
Single sourceJoins Los Ases Argentinos del Tango in Hamburg.1931
Single sourceContracted to accompany Libertad Lamarque, until 1937.1934
Single sourcePlays in Paris with Rafael Canaro's orchestra.1938
Single sourceJoins Osvaldo Fresedo's orchestra in March, staying until early 1942.1941
Single sourceBecomes orchestra director at Radio El Mundo and Radio Belgrano; records for Odeon with Oscar Alonso.1949
Single sourceRetires.1967
Single sourcePremieres Como el incienso, a tango-style piece for church, at San Juan Bosco.Nov 8, 1968
Single sourceDies in Buenos Aires; buried in San José.Jul 18, 1982
Single sourceArtola was Troilo's main arranger in 1941-42 (writing about two arrangements a day) while playing in Fresedo's orchestra; later Argentino Galván and others shared the work, and Piazzolla arranged about ten numbers for Troilo in the 40s.
Single sourceBorn1
Born on April 30, 1903
Single sourceComposer8
Equipaje — composed by Héctor María Artola
Single sourceLa melodía del corazón — composed by Héctor María Artola
Single sourceRey de copas — composed by Héctor María Artola
Single sourceSe va la lancha — composed by Héctor María Artola
Single sourceFalsedad — composed by Héctor María Artola
Single sourceEn un rincón — composed by Héctor María Artola
Single sourceMarcas — composed by Héctor María Artola
Single sourceDesconsuelo — composed by Héctor María Artola
Single sourceIn other catalogues1
tango.info · HectoArtol
Single sourceListen
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