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1. Pequeña8 days ago8 facts added.Pequeña8 days ago8 facts added.
2. Margo8 days ago9 facts added.Margo8 days ago9 facts added.
3. Margo8 days ago9 facts added.Margo8 days ago9 facts added.
4. Trenzas8 days ago9 facts added.Trenzas8 days ago9 facts added.
5. Trenzas8 days ago9 facts added.Trenzas8 days ago9 facts added.
6. Julio Bocca8 days agoSpanish version of revision 1Julio Bocca8 days agoSpanish version of revision 1
7. Daniel Tuero8 days agoSpanish version of revision 1Daniel Tuero8 days agoSpanish version of revision 1
8. Stella Baez8 days agoSpanish version of revision 1Stella Baez8 days agoSpanish version of revision 1
9. Roberto Zuccarino8 days agoSpanish version of revision 1Roberto Zuccarino8 days agoSpanish version of revision 1
10. Ramon Salina8 days agoSpanish version of revision 1Ramon Salina8 days agoSpanish version of revision 1
11. Elba Garcia8 days agoSpanish version of revision 1Elba Garcia8 days agoSpanish version of revision 1
12. Tango and the Río de la Plata8 days agoGlossary meaning Tango is a music genre and dance characteristic of the Río de la Plata region, mainly Buenos Aires and MontevideoTango and the Río de la Plata8 days agoGlossary meaning Tango is a music genre and dance characteristic of the Río de la Plata region, mainly Buenos Aires and Montevideo
13. Diego Santana8 days agoSpanish version of revision 1Diego Santana8 days agoSpanish version of revision 1
14. Victoria Vieyra8 days agoSpanish version of revision 1Victoria Vieyra8 days agoSpanish version of revision 1
15. Maria Inés Bogado8 days agoSpanish version of revision 1Maria Inés Bogado8 days agoSpanish version of revision 1
16. Odeon8 days agoDescribed as Odeon signed Troilo, Demare and Tanturi to three-year exclusive deals with no commitment to release much; after one or two records without a hit it stopped, leaOdeon8 days agoDescribed as Odeon signed Troilo, Demare and Tanturi to three-year exclusive deals with no commitment to release much; after one or two records without a hit it stopped, lea
17. RCA Victor8 days agoDescribed as After the Depression wiped out Brunswick, Columbia and Electra, only Odeon and RCA Victor remained; if you weren't signed to one you couldn't record.RCA Victor8 days agoDescribed as After the Depression wiped out Brunswick, Columbia and Electra, only Odeon and RCA Victor remained; if you weren't signed to one you couldn't record.
18. Odeon8 days agoDescribed as After the Depression wiped out Brunswick, Columbia and Electra, only Odeon and RCA Victor remained; if you weren't signed to one you couldn't record.Odeon8 days agoDescribed as After the Depression wiped out Brunswick, Columbia and Electra, only Odeon and RCA Victor remained; if you weren't signed to one you couldn't record.
19. Juan D'Arienzo8 days agoDescribed as D'Arienzo's climaxes are about excitement and speed — more notes, faster — while Di Sarli's climaxes are emotional, built by the strings adding intensity of feeJuan D'Arienzo8 days agoDescribed as D'Arienzo's climaxes are about excitement and speed — more notes, faster — while Di Sarli's climaxes are emotional, built by the strings adding intensity of fee
20. Carlos Di Sarli8 days agoDescribed as D'Arienzo's climaxes are about excitement and speed — more notes, faster — while Di Sarli's climaxes are emotional, built by the strings adding intensity of feeCarlos Di Sarli8 days agoDescribed as D'Arienzo's climaxes are about excitement and speed — more notes, faster — while Di Sarli's climaxes are emotional, built by the strings adding intensity of fee
21. Victor8 days agoDescribed as Lavocah wonders whether Victor was commercially right to refuse Vardaro in 1933: advanced orchestras like Laurenz in 1937 did not sell many records either.Victor8 days agoDescribed as Lavocah wonders whether Victor was commercially right to refuse Vardaro in 1933: advanced orchestras like Laurenz in 1937 did not sell many records either.
22. RCA Victor8 days agoDescribed as The Germaine master carries a technical mistake at about 38 seconds; since it is on the shellac, it was on the original master and neither the technician, RCA VRCA Victor8 days agoDescribed as The Germaine master carries a technical mistake at about 38 seconds; since it is on the shellac, it was on the original master and neither the technician, RCA V
23. Victor8 days agoDescribed as Victor and Odeon are thought to have destroyed their master discs around 1962, believing tango was an old business. LPs started around 1960, so for about two yeVictor8 days agoDescribed as Victor and Odeon are thought to have destroyed their master discs around 1962, believing tango was an old business. LPs started around 1960, so for about two ye
24. Music Hall8 days agoDescribed as The Music Hall recording dates for Di Sarli come from CDs by Babasan in Japan, which cannot explain their source; the Music Hall and Takt Art session registers Music Hall8 days agoDescribed as The Music Hall recording dates for Di Sarli come from CDs by Babasan in Japan, which cannot explain their source; the Music Hall and Takt Art session registers
25. Enrique Cadícamo8 days agoDescribed as Contursi met Susana Viganó, a woman from a village in Córdoba, in 1936, and was beginning to write songs about her while staying with his wife, creating the morEnrique Cadícamo8 days agoDescribed as Contursi met Susana Viganó, a woman from a village in Córdoba, in 1936, and was beginning to write songs about her while staying with his wife, creating the mor
26. Odeon8 days agoDescribed as 1952 was the year Odeón introduced tape master recording; several of this episode's Pugliese tracks are re-recordings made that year on the new tape process.Odeon8 days agoDescribed as 1952 was the year Odeón introduced tape master recording; several of this episode's Pugliese tracks are re-recordings made that year on the new tape process.
27. Pedro Maffia8 days agoDescribed as Laurenz and Maffia co-wrote Amurado, one taking the smooth, velvet verse and the other the excited chorus; Michael admits he can't remember which of the two wroPedro Maffia8 days agoDescribed as Laurenz and Maffia co-wrote Amurado, one taking the smooth, velvet verse and the other the excited chorus; Michael admits he can't remember which of the two wro
28. Pedro Laurenz8 days agoDescribed as Laurenz and Maffia co-wrote Amurado, one taking the smooth, velvet verse and the other the excited chorus; Michael admits he can't remember which of the two wroPedro Laurenz8 days agoDescribed as Laurenz and Maffia co-wrote Amurado, one taking the smooth, velvet verse and the other the excited chorus; Michael admits he can't remember which of the two wro
29. RCA Victor8 days agoDescribed as Odeon pressings have lower surface noise and a better balance for singers than RCA Victor; Troilo, Pugliese and Di Sarli recorded for Victor, which is part of wRCA Victor8 days agoDescribed as Odeon pressings have lower surface noise and a better balance for singers than RCA Victor; Troilo, Pugliese and Di Sarli recorded for Victor, which is part of w
30. Odeon8 days agoDescribed as Odeon pressings have lower surface noise and a better balance for singers than RCA Victor; Troilo, Pugliese and Di Sarli recorded for Victor, which is part of wOdeon8 days agoDescribed as Odeon pressings have lower surface noise and a better balance for singers than RCA Victor; Troilo, Pugliese and Di Sarli recorded for Victor, which is part of w