Song
Un infierno · Miguel Caló · 1954
Connected
From TangoTube's videos · our data
Danced at
- Łódź Tango Salon Festival2 videos
- TanGo To Istanbul1 video
- Tango Salon Extremo1 video
- Brussels Tango Festival1 video
- Viva La Pepa1 video
- Festivalito Tango Primavera1 video
- Festival Tango Porto1 video
Danced by
- Virginia Gomez3 videos
- Christian Marquez3 videos
- Moira Castellano3 videos
- Marko Miljevic3 videos
- Maja Petrović3 videos
- Natasha Lewinger2 videos
- Javier Rodríguez2 videos
- Juliano Andrade2 videos
- Maria Filali2 videos
- Paula Emerick2 videos
Data: recordings, facts and sources
Recordings by year
Source: TangoCloud catalogue
1953: 1, 1954: 2, 1955: 1
Credit
- Music
- Francisco Rotundo
Source: TangoCloud catalogue
Lyrics
Español
El agravio de tus labios, que juraron y engañaron, embeleso de tu beso donde preso me quedé. Un zarpazo fue tu abrazo y tu piel de seda y raso, un infierno cruel y eterno donde el alma me quemé. El hastío con su frío hizo nido en todo mío, si quererte fue la muerte, el perderte es morir más. Que misterio es el cariño que en la cruz de tu abandono, todavía te perdono y te quiero mucho más. Clavaste sin temor, con toda el alma, a traición y por la espalda un puñal, ¿y para qué? No ves que estoy herido y te sonrío que aún te llamo cielo mío y que aún beso tu puñal. ¡No lo ves, que pese a todo y contra todo en el cielo o en el lodo yo te quiero siempre igual! Maldecirte, no seguirte, no quererte, aborrecerte, libertarme de tus manos, rosa fresca, no podré. Como un ciego tambaleo sin tu voz, sin tu sonrisa, cielo y brisa, tierra y todo, me recuerda tu querer. Siempre arde, noche y tarde, esa antorcha de tus ojos en tu pelo soy abrojo que pretende ser clavel, como hiedra que se aferra a la piedra inevitable, de tu amor inolvidable aferrado me quedé.
English · machine translation
The offense of your lips, which swore and deceived, the rapture of your kiss where I remained a prisoner. A claw was your embrace and your silk and satin skin, a cruel and eternal hell where my soul burned. The cold boredom made a nest in all of me, If loving you was death, losing you is to die more. What a mystery is the love that in the cross of your abandonment, I still forgive you and love you much more. You nailed without fear, with all your soul, treacherously and in the back a dagger, and for what? Can't you see that I am wounded and I smile at you that I still call you my heaven and that I still kiss your dagger. Don't you see, that despite everything and against everything in the sky or in the mud I love you always the same! To curse you, not to follow you, not to love you, to abhor you, to free myself from your hands, fresh rose, I will not be able to. Like a blind man I stagger without your voice, without your smile, sky and breeze, earth and everything, reminds me of your love. Always burns, night and evening, that torch of your eyes in your hair I am a thistle that pretends to be a carnation, like ivy that clings to the inevitable stone, I clung to your unforgettable love.
Every recording
4 recordings by year · source: TangoCloud catalogue
Often paired with
Our data: filmed Performances on TangoTube that danced both, and DJs' public tandas on TangoCloud that hold both.
- Estampa de varónJuan D'Arienzo, 1938 · danced together in 3 Performances
- Pobre florAlfredo De Angelis, 1946 · danced together in 2 Performances
- Reliquias porteñasFrancisco Canaro, 1938 · danced together in 2 Performances
- AmarrotoJuan D'Arienzo, 1951 · danced together in 2 Performances
- InfamiaJuan D'Arienzo, 1941 · danced together in 2 Performances
- Alma doloridaJuan D'Arienzo, 1937 · danced together in 2 Performances
- AmarrasJuan D'Arienzo, 1944 · danced together in 2 Performances
Singers1
Sung by Alberto PodestáMay 5, 1954Supported · 2
External id3
External id tango_info:02480002043508-1-6Single source
External id tango_info:07798108081801-1-13Single source
External id tango_info:00077779918324-1-6Single source
Is a1
Is a tangoSingle source
Duration1
Duration 03:14Single source
Notes1
The contrast to Muy suave: a hellish lyric, and Podestá's first recording with Caló since about 1943.Single source
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