Anselmo Aieta

Cabeza de novia — composed by Anselmo Aieta[1][16][26]

Alma en pena — composed by Anselmo Aieta[1][2][27]

Pavadita — composed by Anselmo Aieta[1][32]

Mariposita — composed by Anselmo Aieta[1][4][28]

Corralera — composed by Anselmo Aieta[1][12][29]

Siga el corso — composed by Anselmo Aieta[1][3][30]

Bajo Belgrano — composed by Anselmo Aieta[1][14][31]

Corrales viejos — composed by Anselmo Aieta[1][24]

Luis Alberto — composed by Anselmo Aieta[1][25]

Ya estamos iguales — composed by Anselmo Aieta[5]

La chiflada — composed by Anselmo Aieta[6]

Tus besos fueron míos — composed by Anselmo Aieta[7]

Suerte loca — composed by Anselmo Aieta[8]

La violetera — composed by Anselmo Aieta[13]

Qué fenómeno — composed by Anselmo Aieta[15]

A cara limpia — composed by Anselmo Aieta[17]

El huérfano — composed by Anselmo Aietasource

TodoTango · creador/1[9][10][11]

Wikidata · Q5696611source

MusicBrainz · b960aac3-6561-4cc6-be58-8c45426f6880source

Discogs · 1296762[18]

Born on November 5, 1896[9][10][11]

Died on September 25, 1964[9][10][11]

Born in Buenos Aires Argentina[9][10][11]

Bandoneonista, compositor y director[9][10][11]

Aieta, whose fame mostly dates to the 1920s, was a musically illiterate, intuitive composer who had friends transcribe melodies that came to his head; the brand-new 1958 'Pavadita' deliberately echoes that older style.[19]

Aieta is a guardia vieja giant; D'Arienzo started out playing violin in one of Aieta's cinema bands; he composed Palomita blanca, Pavadita and Alma en pena.[20]

Juan D'Arienzo — played in Anselmo Aieta[21]

Played in Carlos Di Sarli[22]

Esposito Genaro — influenced Anselmo Aieta[23]