The Cabeceo

Skip to content

Orchestra

Miguel Caló

The Miguel Caló orchestra was a tango orchestra led by the bandoneon player Miguel Caló.[2] He first recorded as a leader in 1932 and formed the orchestra that recorded for Odeon in 1934.[3] Its 1940s line-up was remembered as the Orchestra of the Stars, and it was reunited under that name in 1961.[4][3]

The orchestra was led by Miguel Caló.[2] Sources give his birth date as 28 October 1907.[6] Before leading his own ensemble, Caló played in the bandoneon section of Osvaldo Fresedo's orchestra in 1926 and joined the orchestra of the pianist Francisco Pracánico in 1927.[3]

In 1934 Caló formed the orchestra that recorded for Odeon, with Carlos Dante as its main singer.[3][2] A line-up beginning in 1940, with Osmar Maderna on piano alongside Domingo Federico and Armando Pontier, became known as the Orchestra of the Stars.[4] Caló died in Buenos Aires on 24 May 1972.[5]

History

In 1929 Caló formed his first orchestra. He then disbanded it to tour Spain with Cátulo Castillo's orchestra.[3] In 1931 he toured the United States with Osvaldo Fresedo's orchestra.[3] His first recordings as a leader were made in 1932 for the Splendid label.[3]

In 1934 Caló formed a new orchestra that recorded for Odeon, with Carlos Dante as its main singer.[3][2] Miguel Nijensohn is listed as a member of the orchestra in 1934.[2] Héctor Stamponi is listed as a member in 1937.[4]

In 1940 Osmar Maderna joined on piano, together with Domingo Federico and Armando Pontier. This marked the start of the line-up remembered as the Orchestra of the Stars.[4] In 1942 the orchestra broadcast several times a day on LR3 Radio Belgrano, whose shortwave signal carried it across Latin America.[7]

On 12 May 1946 the orchestra began a tour of Bolivia, Peru and Ecuador with the singers Roberto Arrieta and Raúl Iriarte.[7] A 1946 line-up is documented that included Miguel Nijensohn, Julian Plaza and Antonio Rodio.[4]

In 1961 Caló reunited Pontier, Federico, Francini, Berón and Podestá as the Orchestra of the Stars on Radio El Mundo.[3] Between April and June 1963 the reunited orchestra recorded twelve tracks for Odeon.[3] Caló died in Buenos Aires on 24 May 1972.[5]

Singers

Román Prince sang on the orchestra's first recordings in 1932.[3] Carlos Dante was the main singer of the orchestra formed in 1934.[3][2] Session entries for Dante are dated 5 October and 26 November 1934.[8] Alberto Morel and Roberto Caló sang with the orchestra between 1934 and 1939.[2] A Morel entry is dated 13 July 1936.[9] A Roberto Caló entry is dated 21 December 1938.[10]

Raúl Berón joined the orchestra in 1939.[11] On 29 April 1942 he recorded 'Al compás del corazón' with the orchestra for Odeon. Its success kept Berón in the orchestra despite doubts at the radio station.[5][12] Further entries for Berón are dated 30 June, 29 July, 2 September, 9 September, 29 September, 9 October and 1 December 1942.[12] Berón later left the orchestra, but the dossier gives no date for his departure.[11]

Alberto Podestá has entries dated 12 March 1941 and 2 September 1942.[13][12] Jorge Ortiz has an entry dated 20 January 1943.[14] Raúl Iriarte first recorded with the orchestra on 17 May 1943. He became the singer Caló recorded with most.[5] Roberto Arrieta toured with the orchestra in 1946.[7] Arrieta has entries dated 5 January and 23 September 1948.[15]

Recordings

The orchestra's first recordings as a leader's ensemble were made for Splendid in 1932. They were 'Milonga porteña' and the vals 'Amarguras', sung by Román Prince.[3] From 1934 the orchestra recorded for Odeon.[3] Odeon recording entries are dated 5 October 1934, 26 November 1934 and 1 December 1942.[8][12] Its 1942 Odeon recording of 'Al compás del corazón' with Raúl Berón was a success.[5] The reunited Orchestra of the Stars recorded twelve tracks for Odeon between April and June 1963.[3]

References

How Tangopedia works

  1. 2.Biography of Miguel Caló · todotango.com
  2. 3.Biografía de Miguel Caló · todotango.com
  3. 4.Orquesta Típica Miguel Caló · todotango.com
  4. 5.Miguel Caló · es.wikipedia.org
  5. 6.Tangopedia staff · tangopedia.app
  6. 7.Miguel Caló vida y obra, volumen 11 · tangoradioymashistorias.blogspot.com
  7. 8.Calendar - Argentine Tango - tango.info · tango.info
  8. 9.1936-07-13 - tango.info · tango.info
  9. 10.Calendar - Argentine Tango - tango.info · tango.info
  10. 11.Biografía de Raúl Berón · todotango.com
  11. 12.Calendar - Argentine Tango - tango.info · tango.info
  12. 13.1941-03-12 - tango.info · tango.info
  13. 14.Jorge Ortiz - ficha · todotango.com
  14. 15.Calendar - Argentine Tango - tango.info · tango.info

Most danced

Most danced, from TangoTube dances

  1. Jamás retornarásMiguel Caló · Raúl Berón1942
  2. Que falta que me hacésMiguel Caló · Alberto Podestá1963
  3. Bajo un cielo de estrellasMiguel Caló · Alberto Podestá1941
  4. MariónMiguel Caló · Raul Iriarte1943
  5. Dos fracasosMiguel Caló · Alberto Podestá1941
  6. Los despojosMiguel Caló · Raul Iriarte1947
  7. Que te importa que te lloreMiguel Caló · Raúl Berón1942
  8. RebeldíaMiguel Caló · Raul Iriarte1947
  9. El vals soñadorMiguel Caló · Raúl Berón1942
  10. Lluvia de abrilMiguel Caló · Raul Iriarte1945
  11. Pedacito de cieloMiguel Caló · Alberto Podestá1942
  12. Al compás del corazónMiguel Caló · Raúl Berón1942

Tours

  1. 1929Forms his first orchestra, then disbands it to tour Spain with Cátulo Castillo's orchestra.†

    Part of Miguel Caló's 1929 tour of Spain with Cátulo Castillo's orchestra

    Places named: Spain

  2. 1931Tours the United States with Osvaldo Fresedo's orchestra.†

    Part of Osvaldo Fresedo's 1931 tour of the United States

    Places named: United States

  3. 1946Begins a tour of Bolivia, Peru and Ecuador with singers Roberto Arrieta and Raúl Iriarte.†

    Part of Miguel Caló's 1946 tour of Bolivia, Peru and Ecuador

    Places named: Bolivia, Peru, Ecuador

Data: recordings, facts and sources

Also: its leader, Miguel Caló

Recordings by year

Source: TangoCloud catalogue

19331972

1933: 2, 1934: 3, 1935: 7, 1936: 6, 1938: 1, 1941: 3, 1942: 15, 1943: 24, 1944: 22, 1945: 28, 1946: 10, 1947: 9, 1948: 12, 1949: 4, 1950: 10, 1951: 8, 1952: 2, 1953: 6, 1954: 10, 1955: 4, 1956: 8, 1957: 4, 1958: 6, 1959: 12, 1961: 4, 1962: 8, 1963: 16, 1964: 12, 1965: 34, 1966: 14, 1967: 16, 1969: 8, 1972: 23

Singers over the years

First to last recording together · source: TangoCloud catalogue · tap a bar for the takes · Every singer and orchestra

19331972
  1. Raul Iriarte1943–1972 · 59
  2. Roberto Arrieta1945–1972 · 28
  3. Raúl Berón1942–1963 · 26
  4. Alberto Podestá1941–1972 · 26
  5. Lucho Gatica1965 · 16
  6. Roberto Luque1961–1965 · 15
  7. Roberto Rufino1949–1966 · 13
  8. Carlos Dante1934–1936 · 12
  9. Raúl del Mar1965 · 10
  10. Raúl Ledesma1958–1967 · 9
  11. Carlos Barbé1951–1953 · 8
  12. Jorge Ortiz1943 · 7
  13. Marga Fontana1965 · 6
  14. Luis Tolosa1944–1945 · 4
  15. Alberto Morel1936 · 4
  16. Juan Carlos Fabri1950–1952 · 4
  17. Carlos Almagro1954–1955 · 4
  18. Roberto Mancini1956–1957 · 3
  19. Roman Prince1933 · 2

Singers

Line-up by year

The musicians the sources place in the orchestra each year. Someone with no end year is shown only in the year they joined.

  1. 1todotango.com/english/artists/biography/27/Miguel-Calo/
  2. 2todotango.com/historias/cronica/452/Orquesta-Tipica-Miguel-Calo/

Often danced together

Our data: two of this orchestra's recordings danced in the same filmed Performance on TangoTube.

Leader1

Led by Miguel Caló1934–1967Single source

Notes23

Plays in the bandoneon section of Osvaldo Fresedo's orchestra.1926Single source

Joins the orchestra of pianist Francisco Pracánico.1927Single source

Forms his first orchestra, then disbands it to tour Spain with Cátulo Castillo's orchestra.1929Single source

Tours the United States with Osvaldo Fresedo's orchestra.1931Single source

First recordings as a leader, for the Splendid label: 'Milonga porteña' and the vals 'Amarguras', sung by Román Prince.1932Single source

Forms a new orchestra that records for Odeon, with Carlos Dante as main singer.1934Single source

Osmar Maderna joins on piano with Domingo Federico and Armando Pontier, the start of the line-up remembered as the Orchestra of the Stars.1940Single source

Records 'Al compás del corazón' with Raúl Berón for Odeon; its success keeps Berón in the orchestra despite doubts at the radio station.Apr 29, 1942Single source

Broadcasts several times a day on LR3 Radio Belgrano, whose shortwave signal carried the orchestra across Latin America;1942Single source

First recording with Raúl Iriarte, who becomes the singer he recorded with most.May 17, 1943Single source

Begins a tour of Bolivia, Peru and Ecuador with singers Roberto Arrieta and Raúl Iriarte.May 12, 1946Single source

Reunites Pontier, Federico, Francini, Berón and Podestá as the Orchestra of the Stars on Radio El Mundo.1961Single source

The reunited orchestra records twelve tracks for Odeon between April and June.1963Single source

Dies in Buenos Aires.May 24, 1972Single source

Caló recorded in the early 1930s and again in 1936 and 1938, then, trapped in Odeon's contract limbo, did not record again until March 1941.Single source

Caló's 'orchestra of the stars' lineup was already breaking up by 1944: pianist/arranger Domingo Federico had left to start his own band, and Raúl Berón — who made the orchestra's name in 1942 — left after only a few months in 1944 for a solo career, briefly joining Orlando Goñi's short-lived band before later finding success with Troilo.Single source

Caló isn't Michael's favourite of the big orchestras: he felt there was a rivalry with Troilo, and that Caló's experiments with syncopated marcato sometimes go too far for his taste as a dance orchestra.Single source

Caló started recording in 1932; the Caló heard in 1935 is still a disciple of Julio De Caro, musically more complex than the simpler 'winning formula' sound he would find from 1941-42 onward.Single source

Caló made his first-ever recording, the waltz Amarguras, in 1932; at this early stage he was firmly a follower of Julio De Caro's more complicated style, the opposite of the simplified, dancer-friendly sound he became known for in the 1940s, and his best early work is arguably from 1934.Single source

Caló's 1936 piano style had already been set two years earlier by arranger Miguel Nijensohn; Pugliese may have been the band's pianist around this time, but only for about six months before leaving to form one of his own early attempted bands.Single source

Singer Raúl Berón initially refused to sing Al compás del corazón; when Caló was late to a gig, violinist Enrique Francini sang it instead, the crowd loved it, and only then did Berón take the song on.Single source

After Berón went to Maderna, Caló used Jorge Ortiz, Alberto Podestá and Raúl Iriarte; Ortiz stayed for only six tracks and the two men did not get on, so Ortiz returned to Biagi.Single source

Caló made very few records in the late 1930s; he had turned away from the sophisticated De Caro-influenced music of 1932-34, and the Caló sound was forming, with a guitar still in the band.Single source

Recordings7

No vale la pena · Miguel Caló · 1934 — recorded by Miguel CalóOct 5, 1934Single source

Coplas de esperanza · Miguel Caló · 1934 — recorded by Miguel CalóNov 26, 1934Single source

Milonga antigua · Miguel Caló · 1942 — recorded by Miguel CalóDec 1, 1942Single source

El bazar de los juguetes · Miguel Caló · 1954 — recorded by Miguel CalóMay 5, 1954Single source

Yo pequé · Miguel Caló · 1962 — recorded by Miguel CalóAug 21, 1962Single source

Luna del viejo castillo · Miguel Caló · 1964 — recorded by Miguel CalóApr 14, 1964Single source

Noche de plataforma · Miguel Caló · 1964 — recorded by Miguel CalóMar 31, 1964Single source

Sang with17

Carlos Dante — sang with Miguel Caló1934, Oct 5, 1934, Nov 26, 1934Supported · 2

Alberto Morel — sang with Miguel Caló1934–1939, Jul 13, 1936Supported · 2

Roberto Caló — sang with Miguel Caló1934–1939, Dec 21, 1938, May 13, 1957Supported · 2

Alberto Podestá — sang with Miguel Caló1941–1963Single source

Raúl Berón — sang with Miguel Caló1942–1949Single source

Jorge Ortiz — sang with Miguel CalóJan 20, 1943Single source

Roberto Arrieta — sang with Miguel CalóJan 5, 1948, Sep 23, 1948Single source

Luis Tolosa — sang with Miguel CalóDec 14, 1944Single source

Raul Iriarte — sang with Miguel Caló1944–1947Single source

Ricardo Blanco — sang with Miguel CalóMar 16, 1950, Sep 8, 1950Single source

Carlos Barbé — sang with Miguel CalóOct 3, 1952Single source

Aida Denis — sang with Miguel CalóMay 13, 1957Single source

Raúl Ledesma — sang with Miguel CalóApr 15, 1958, 1966, Sep 12, 1967Supported · 2

Roberto Luque — sang with Miguel CalóAug 21, 1962Single source

Roberto Rufino — sang with Miguel Caló1963–1966Supported · 2

Miguel Montero — sang with Miguel CalóJun 2, 1966Single source

Alberto Marino — sang with Miguel CalóMay 15, 1967–Jun 5, 1967Single source

Played in4

Miguel Nijensohn — played in Miguel Caló1934, 1946Single source

Héctor Stamponi — played in Miguel Caló1937Single source

Julian Plaza — played in Miguel Caló1946Single source

Antonio Rodio — played in Miguel Caló1946Single source

Joined1

Raúl Berón — joined Miguel Caló1939Single source

Left1

Raúl Berón — left Miguel CalóSingle source

Leader born1

Its leader was born on 1907-10-28Single source

External id1

External id tango_info:MigueCaloaSingle source

Listen

  1. Milonga porteñaMiguel Caló · Roman Prince1933
  2. AmargurasMiguel Caló · Roman Prince · no clip yet1933
  3. Tu eres para miMiguel Caló · Carlos Dante · no clip yet1934
  4. No vale la penaMiguel Caló · Carlos Dante · no clip yet1934
  5. Mentiras piadosasMiguel Caló · Carlos Dante · no clip yet1934
  6. Alla en el cieloMiguel Caló · Carlos Dante · no clip yet1935
  7. Los años pasanMiguel Caló · Carlos Dante1935
  8. Serpentina de esperanzaMiguel Caló · Carlos Dante · no clip yet1935
  9. Es una santa mamaMiguel Caló · Carlos Dante · no clip yet1935
  10. VoluntadMiguel Caló · Carlos Dante1935
  11. Si volviera JesúsMiguel Caló · Carlos Dante · no clip yet1935
  12. Alma míaMiguel Caló · Carlos Dante, Hermanas Morel1935

Ask Tangopedia

Answers only from cited facts, each with its source.