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Topic

Tango in 1989

Tango in 1989 is a year overview drawn from biographical articles, a discography listing and a French heritage document. The sources record shared recitals by Osvaldo Pugliese and Astor Piazzolla in Amsterdam on 29 June 1989, a tour of Japan by Roberto Goyeneche with Néstor Marconi, and a group of recordings by Pugliese's orchestra dated to 1989 [1][4][5][8]. In Paris that year, the Latina – Bistrot Latin opened and the show Tango Argentino returned at the Théâtre Mogador [9].

Key facts

Key facts

Piazzolla–Pugliese recitals
Carré theatre, Amsterdam, 29 June 1989[1][8]
Pugliese titles dated 1989 in listing
28[5]
Specific listing date
26 June 1989 (14 Pugliese titles)[5]
Pugliese commemorative plaque
Avenida Corrientes 960, unveiled by SADAIC and the Asociación de Coleccionistas de Tango[3]
Goyeneche's last international recital
Japan, with Néstor Marconi[4]
Paris venue opened
Latina – Bistrot Latin, rue du Temple[9]
Susana Rinaldi
Settled in Paris[6]

Timeline

  1. 1989

    SADAIC and the Asociación de Coleccionistas de Tango unveil a plaque at Avenida Corrientes 960 marking 50 years of Pugliese's orchestra[3]

  2. 1989

    Roberto Goyeneche performs in Japan with Néstor Marconi, his last international recital[4]

  3. 1989

    Goyeneche named Ciudadano Ilustre of Mar del Plata and awarded the Premio Estrella del Mar[4]

  4. 1989

    Pugliese's orchestra tours Japan[8]

  5. Jun 26, 1989

    Date attached to fourteen Pugliese recordings in a discography listing, including La yumba credited with Piazzolla[5]

  6. Jun 29, 1989

    Piazzolla and Pugliese share recitals at the Carré theatre, Amsterdam[1][8]

  7. 1989

    Susana Rinaldi settles in Paris[6]

  8. 1989

    Latina – Bistrot Latin opens on the rue du Temple, Paris[9]

  9. 1989

    Tango Argentino returns to Paris at the Théâtre Mogador[9]

  10. 1989

    Luis Bravo decides to give up the cello and produce Forever Tango[7]

Disputed

Date associated with the joint Piazzolla–Pugliese appearance in 1989

  • [1][8]
  • [5]

Performer and vocalist credits for some 1989 Pugliese recordings in the listing

  • [5]
  • [5]

This article collects dated events in tango for the year 1989 as they are reported in the available sources [1][3][5][9]. Most of the material concerns a small number of figures: the orchestra leader Osvaldo Pugliese, the singer Roberto Goyeneche, Susana Rinaldi, described in her biography as a voice of tango, and Astor Piazzolla [1][4][6][8].

In the available listing, most of the year's recorded output is credited to Pugliese's orchestra. The listing gives 28 titles with the year 1989, and many of them also carry the specific date 26 June 1989 [5]. The singers credited on these entries include Abel Córdoba, Adrián Guida, Alberto Morán and Jorge Maciel [5].

Outside Argentina, the sources place tango activity in the Netherlands, Japan and France in 1989 [1][4][8][9]. In Paris, a tango venue opened, a stage production returned, and Susana Rinaldi settled in the city [6][9]. Also in 1989, Luis Bravo decided after a visit to Argentina to give up the cello and produce his own tango show, Forever Tango [7].

The sources disagree on some details. The date given by biographical sources for the joint Pugliese–Piazzolla appearance differs from the date attached to a recording credited to both in the listing. Some recordings also appear in the listing with different vocalist credits [1][5][8]. These points are described below and recorded as disputed [5][8].

Performances and tours

On 29 June 1989, Astor Piazzolla and Osvaldo Pugliese shared recitals at the Carré theatre in Amsterdam, according to the Spanish-language article on Piazzolla [1]. The English-language article on Pugliese also lists an appearance of Pugliese's orchestra with Piazzolla in Amsterdam on 29 June 1989, under the Netherlands [8]. The same source states that Pugliese's orchestra toured Japan in 1989 [8].

A discography listing credits a recording of La yumba to Astor Piazzolla and Osvaldo Pugliese with the date 26 June 1989. That is three days before the Amsterdam date given in the biographical sources [1][5][8]. The sources do not say whether this entry relates to the Amsterdam recitals, and the two dates differ [5][8].

Roberto Goyeneche also performed in Japan in 1989, together with Néstor Marconi [4]. His biography describes these appearances as successful and states that they were his last international recital [4].

Tango in Paris

According to her biography, Susana Rinaldi made her début in Paris in 1976, after a new military dictatorship had been established. She finally settled in the city in 1989 [6]. The same biography says that from Paris she had already become "the most important international voice of tango" [6].

Also in 1989, the Latina – Bistrot Latin opened on the rue du Temple in Paris. It was founded by Isabelle de la Preugne and Alfredo Palacios, according to a French heritage inventory document on the tango ball in France [9]. The same document states that the show Tango Argentino returned to Paris that year, at the Théâtre Mogador [9].

Forever Tango

Luis Bravo, then a cellist, decided in 1989 to give up the cello and produce his own tango show after a visit to Argentina [7]. The show is identified as Forever Tango [7].

Recordings

A discography listing for 1989 credits Osvaldo Pugliese with 28 titles dated to that year [5]. For fourteen of them, the listing also gives the specific date 26 June 1989 [5]. These are dates attached to recordings in the listing. They are not evidence of when the works were composed or first performed [5].

Titles credited to Pugliese with named vocalists in the listing:

  • Bailemos (tango), with Adrián Guida [5]
  • Contame una historia (tango), with Adrián Guida [5]
  • Igual que una sombra (tango), with Adrián Guida [5]
  • La canción de Buenos Aires (tango), with Abel Córdoba [5]
  • La cumparsita (tango), with Abel Córdoba and Adrián Guida [5]
  • Las cuarenta (tango), with Abel Córdoba [5]
  • Melodía de arrabal (tango), with Abel Córdoba [5]
  • Milonga para Gardel (milonga), with Abel Córdoba and Adrián Guida [5]
  • No quiero perderte (tango), with Alberto Morán [5]
  • Pa' lo que te va a durar (tango), with Abel Córdoba [5]
  • Quedémonos aquí (tango), with Adrián Guida [5]
  • Será una noche (tango), with Jorge Maciel [5]

Titles credited to Pugliese with no vocalist named in the listing:

  • A Evaristo Carriego (tango), 26 June 1989 [5]
  • Arrabal (tango), 26 June 1989 [5]
  • Chacabuqueando (tango), 26 June 1989 [5]
  • Chiqué (tango), 26 June 1989 [5]
  • Como flor de yuyo (tango) [5]
  • Copacabana (tango) [5]
  • Desde el alma (vals), 26 June 1989 [5]
  • Ensayando (tango), 26 June 1989 [5]
  • Esta noche me emborracho (tango) [5]
  • Jueves (tango) [5]
  • La cachila (tango) [5]
  • La mariposa (tango) [5]
  • La yumba (tango), 26 June 1989; one entry also credits Astor Piazzolla [5]
  • Los mareados (tango), 26 June 1989 [5]
  • Mala junta (tango), 26 June 1989 [5]
  • Recuerdo (tango), 26 June 1989 [5]

Four titles with singer credits also appear in a second entry under the same listing code, dated 26 June 1989, with no vocalist named. These are Bailemos, Las cuarenta, Melodía de arrabal and Milonga para Gardel, and the source does not explain the difference [5].

The listing also includes a 1989 recording of Silencio (tango) by José Canet with Nelly Omar [5]. Four further 1989 entries carry no performer credit: Adiós, nonino (tango), and three titles with no genre given, Michelangelo '70, Mumuki and Tanguedia III [5].

Albums

Goyeneche's biography dates two albums involving him to 1989 [4]:

  • Tangos del Sur, with Néstor Marconi and his ensemble; label given as Melopea Milán Sur [4]
  • Yo canto tangos, an album by Dyango on which Goyeneche took part as guest singer; label given as Odeón [4]

Orchestras and personnel

The article on Mariano Mores lists the members of his orchestra 'por esta época' (at this time). This period includes the 1981–1989 tenure of pianist Juan Carlos Zunnini [2]. The listed members are:

  • Roberto Pansera, keyboards [2]
  • Juan Carlos Zunnini, piano (1981–1989) [2]
  • Aldo Nicolini [2]
  • Osvaldo Montes, bandoneón (nine years with Mores) [2]
  • Ramón Eusebio Barrionuevo, guitar [2]
  • Nito Mores and Claudia Mores, voices [2]
  • José 'Pepe' Corriale, percussion until 1972, followed by Ignacio 'Pucho' Riccio [2]

Apart from Zunnini's dates, the source gives no precise year for this line-up [2].

Honours and commemorations

In 1989, SADAIC (the Sociedad Argentina de Autores y Compositores de Música) and the Asociación de Coleccionistas de Tango unveiled a plaque at Avenida Corrientes 960 [3]. According to the article on Osvaldo Pugliese, it commemorated fifty years of 'the Maestro' at the head of his orchestra [3].

Roberto Goyeneche was named Ciudadano Ilustre de la Ciudad de Mar del Plata (Illustrious Citizen of Mar del Plata) in 1989 [4]. He received the Premio Estrella del Mar in 1989 and again in 1990 [4].

What we don't know yet

  • No source describes the dance character of the music or social dancing in 1989.
  • Buenos Aires milonga openings associated with the revival (e.g. Almagro, Canning, Niño Bien, La Viruta) are mostly post-1990 or undated in the available sources.
  • Coverage of tango in Finland and Japan in the 1980s is partial.
  • LP and label details were not cross-checked against other discographies.
  • No named-document facts on dictatorship-era blacklists are available.
  • The Mariano Mores orchestra line-up is not precisely dated beyond Juan Carlos Zunnini's 1981–1989 tenure.
  • No performer is credited for the 1989 entries Adiós, nonino, Michelangelo '70, Mumuki and Tanguedia III, and no genre is given for the last three.
  • The dossier gives no composition or first-performance years for any of the works listed; the 1989 dates are recording dates in a listing only.
  • The sources do not explain why some listing entries for the same recordings carry different vocalist credits.
  • No details are given on the programme or reception of Tango Argentino at the Théâtre Mogador or of the Japan tours.

References

How Tangopedia works

  1. Astor Piazzolla · es.wikipedia.org“Compartieron unos recitales juntos en el teatro Carré de Ámsterdam, el 29 de junio de 1989.”
  2. Mariano Mores · es.wikipedia.org“Por esta época su orquesta estaba integrada por músicos como Roberto Pansera en teclados, Juan Carlos Zunnini (1981-1989) en el piano,”
  3. Osvaldo Pugliese · es.wikipedia.org“En 1989, la Sociedad Argentina de Autores y Compositores de Música (SADAIC) y la Asociación de Coleccionistas de Tango, descubrieron una placa en la avenida”
  4. Roberto Goyeneche · es.wikipedia.org“En 1989, fue justamente en compañía de Marconi que se presentó con gran éxito en Japón, en el que fue su último recital internacional.”
  5. tango.info · tango.info“A Evaristo Carriego | T0370968674 | tango | Osvaldo Pugliese | - | zxx | 1989 | 07:09 | 1 | info”
  6. www.todotango.com · todotango.com“In 1976, already established in our country a new military dictatorship, she made her début in Paris, a city where she finally settled in 1989”
  7. playbill.com · playbill.com“But in 1989, after a visit to Argentina, he decided to forgo the cello and produce his own show”
  8. en.wikipedia.org · en.wikipedia.org“The Netherlands (with Astor Piazzolla in Amsterdam, 29 June 1989)”
  9. www.culture.gouv.fr · culture.gouv.fr“Créé en 1989, le Latina - Bistrot Latin ... puis répété au Théâtre Mogador en 1989”
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