El tango en 1948

Juan D'Arienzo — grabó en El tango en 1948 (12 recordings)1948[1]Single source

Miguel Caló — grabó en El tango en 1948 (12 recordings)1948[1]Single source

Orquesta Francini-Pontier — grabó en El tango en 1948 (11 recordings)1948[1]Single source

Francisco Canaro — grabó en El tango en 1948 (9 recordings)1948[1]Single source

Alfredo De Angelis — grabó en El tango en 1948 (9 recordings)1948[1]Single source

Osvaldo Fresedo — grabó en El tango en 1948 (8 recordings)1948[1]Single source

Aníbal Troilo — grabó en El tango en 1948 (8 recordings)1948[1]Single source

Astor Piazzolla — grabó en El tango en 1948 (7 recordings)1948[1]Single source

Osvaldo Pugliese — grabó en El tango en 1948 (6 recordings)1948[1]Single source

Alfredo Gobbi — grabó en El tango en 1948 (6 recordings)1948[1]Single source

Domingo Federico — grabó en El tango en 1948 (6 recordings)1948[1]Single source

José Basso — grabó en El tango en 1948 (4 recordings)1948[1]Single source

Osvaldo Ribo Records Papel picado with Tanturi.[2]Single source

Pedro Datila Records Pastora with Maderna, in duet with Mario Pomar.[3]Single source

Gerardo Matos Rodríguez Dies.[4]Single source

Lorenzo Barbero Begins on Radio Belgrano's La gran audición Federal with his Orquesta de la Argentinidad.[5]Single source

Alberto Rivera Sings with Lomuto's new orchestra at the reopening of Radio Belgrano's studios.[6]Single source

Mingo Pugliese Starts dancing tango in the salons; 12 June 1948 is later counted as his start date.[7]Single source

Roberto Videla Last Tanturi recordings, Campeonato and Dos que se aman.[8]Single source

Carlos Saavedra Last recording, the milonga Por la güeya, with Biagi.[9]Single source

Mario Bustos Debuts with Domingo Federico on Radio Splendid, replacing Oscar Larroca; renamed Mario Bustos.[10]Single source

Jorge Maciel First record with Gobbi for RCA Victor, 'Remembranza', a hit.[11]Single source

Roberto Ray Back with Fresedo, records 'Pampero' for RCA-Victor.[12]Single source

Roberto Arrieta Farewell session with Caló: Nunca más and Corazón de papel.[13]Single source

Oscar Larroca Last recording with Federico, Para usted amigo; then co-fronts an orchestra with Osvaldo Manzi on Radio Belgrano.[14]Single source

Carlos Roldán First catalogued recording with Francisco Rotundo, Serenata de candombe, for Odeon.[15]Single source

Héctor Pacheco Records Milonga para Gardel, Descamisado and Peronista with Attadía, issued by M.A.D.A.N.[16]Single source

Alfredo Attadia Records Milonga para Gardel with Pacheco for Odeon.[17]Single source

Antonio Todaro Starts dancing tango at clubs in Mataderos while working as a bricklayer.[18]Single source

Juan Carlos Copes In the late 1940s starts dancing with María Nieves, met at the Club Atlanta dances (he 17, she 14).[19]Single source

Julio Sosa Records five sides with Luis Caruso's orchestra for the Sondor label in Montevideo, his first records.[20]Single source

Ernesto Baffa | Ubaldo De Lío Debuts in Héctor Stamponi's orchestra.[21]Single source

Walter Ríos Begins playing in his father Santos Ríos's orchestra.[22]Single source

Osvaldo Ramos Wins a young-talent contest in Munro; sings with Beliera's quartet at club dances.[23]Single source

Hugo Duval Sings in the live acts between film screenings at Buenos Aires cinemas.[24]Single source

Roberto Goyeneche Makes his first recording, "Celedonio", with guitars in a private studio; it is never released.[25]Single source

Beba Bidart Plays opposite Carlos Thompson in Los pulpos; the same year she performs at the Teatro Maipo.[26]Single source

José Libertella Joins Alberto Suárez Villanueva's short-lived orchestra.[27]Single source

Luis Stazo Professional debut in Jorge Argentino Fernández's orchestra.[28]Single source

Alfredo Del Rio Joins Enrique Alessio's orchestra, until 1950.[29]Single source

Juan Cambareri Makes his first records, "La puñalada" and "El amanecer", for Sondor in Montevideo.[30]Single source

Luciano Leocata Presents Y volvemos a querernos on Radio El Mundo with Jorge Casal.[31]Single source

Nina Miranda Season at the Hotel Rambla show with Emilio Pellejero's orchestra.[32]Single source

Francisco Rotundo Brings singer Carlos Roldán from Montevideo; records Seguí mi consejo with him for Odeon in December.[33]Single source

Donato Racciatti Forms his own orchestra, debuting at the Hotel Nogaró in Punta del Este, then on Radio Universal and Radio Sarandí.[34]Single source

Roberto Chanel Leaves Pugliese after 31 recordings.[35]Single source

Mario César Gomila Writes words for Julio De Caro's El arranque.[36]Single source

Carlos Figari Appears with Troilo's orchestra in the film El tango vuelve a París.[37]Single source

Jorge Caldara Pugliese's orchestra records his Patético.[38]Single source

Hugo Diaz Debuts at the Achalay Huasi peña in Buenos Aires.[39]Single source

Juan Carlos Lamas Performs in Madrid and Barcelona.[40]Single source

Raul Iriarte Starts a solo career on Radio Belgrano, backed by Ismael Spitalnik's orchestra.[41]Single source

Horacio Sanguinetti Writes Barro with Osvaldo Pugliese and Discos de Gardel.[42]Single source

Enrique Alessio Replaces Emilio Balcarce at the head of Alberto Marino's orchestra and records Mano cruel.[43]Single source

Ismael Spitalnik Troilo records Ojos negros in his arrangement.[44]Single source

David Díaz Appears with Troilo's orchestra in the film El tango vuelve a París.[45]Single source

Armando Moreno Joins Alfredo Attadía; records Araca corazón and Las cuarenta for Pathé.[46]Single source

Guillermo Rico Cuidado con las imitaciones; soon after, Los Cinco Grandes del Buen Humor are formed.[47]Single source

Aldo Campoamor Leaves Piazzolla's orchestra (Wikipedia says 1949).[48]Single source

Aníbal Troilo Appears with his orchestra in the film El tango vuelve a París.[49]Single source

Mariano Mores Leaves Canaro and starts leading his own orchestra.[50]Single source

Homero Manzi Writes Sur with Aníbal Troilo.[51]Single source

Luis César Amadori Dios se lo pague, his greatest success, opens in March.[52]Single source

Juan Sanchez Gorio Tours Argentina and then Uruguay, with Jorge Linares added as singer.[53]Single source

Oscar Herrero Appears with Pugliese's orchestra in the film Mis cinco hijos.[54]Single source

Oscar Serpa Records La novia del mar with Carlos Di Sarli, just before Di Sarli disbands.[55]Single source

Eduardo Adrian Sings Uno in the film Los pulpos.[56]Single source

Floreal Ruiz Moves to Francisco Rotundo's orchestra, staying until it dissolves around 1955; 25 recordings.[57]Single source

Guillermo Coral Co-founds Los Cinco Grandes del Buen Humor, active in radio, theatre and film for about a decade.[47]Single source

Agustin Irusta The trio reunites for radio in Cuba.[58]Single source

Ricardo Ruiz Summer season at the Casino de Viña del Mar, Chile, with Gabriel Clausi; six recordings.[59]Single source

Antonio Maida Sings Tiempos viejos in La Rubia Mireya, directed by Manuel Romero.[60]Single source