Tango in 1968

Florindo Sassone — recorded in Tango in 1968 (28 recordings)1968[1]Single source

Armando Pontier — recorded in Tango in 1968 (20 recordings)1968[1]Single source

Aníbal Troilo — recorded in Tango in 1968 (20 recordings)1968[1]Single source

Fulvio Salamanca — recorded in Tango in 1968 (13 recordings)1968[1]Single source

Juan D'Arienzo — recorded in Tango in 1968 (12 recordings)1968[1]Single source

Osvaldo Fresedo — recorded in Tango in 1968 (12 recordings)1968[1]Single source

José Basso — recorded in Tango in 1968 (12 recordings)1968[1]Single source

Roberto Goyeneche — recorded in Tango in 1968 (12 recordings)1968[1]Single source

Pedro Laurenz — recorded in Tango in 1968 (11 recordings)1968[1]Single source

Sexteto Tango — recorded in Tango in 1968 (8 recordings)1968[1]Single source

Baffa-Berlingieri — recorded in Tango in 1968 (6 recordings)1968[1]Single source

Donato Racciatti — recorded in Tango in 1968 (5 recordings)1968[1]Single source

Luis Visca Dies in Buenos Aires.[2]Single source

Carlos García Starts recording with Oscar Alonso for Odeon.[3]Single source

Sexteto Tango Records Tema otoñal for RCA Victor.[4]Single source

Mario Battistella Dies.[5]Single source

Cayetano Puglisi Dies in Buenos Aires.[6]Single source

José Colangelo Debuts with Aníbal Troilo at Relieve, replacing Osvaldo Berlingieri.[7]Single source

Héctor María Artola Premieres Como el incienso, a tango-style piece for church, at San Juan Bosco.[8]Single source

José Horacio Staffolani Dies.[9]Single source

Amelita Baltar First solo LP wins the top prize at the Festival del Disco in Mar del Plata.[10]Single source

Sexteto Tango In October six Pugliese musicians found the sextet; debut at Caño 14.[11]Single source

Daniel Binelli Joins Osvaldo Pugliese's orchestra after the Sexteto Tango split; stays fourteen years.[12]Single source

Amelita Baltar Cast by Piazzolla as the lead of María de Buenos Aires.[10]Single source

Abel Córdoba Stays when Jorge Maciel and six musicians leave to form Sexteto Tango; becomes the sole male singer.[13]Single source

Osvaldo Tarantino Leads the orchestra behind singer Alberto Marino on a North American tour, into 1969.[14]Single source

Osvaldo Ruggiero In October co-founds the Sexteto Tango with Pugliese colleagues; debut at Caño 14.[11]Single source

Osvaldo Requena y Leopoldo Federico Becomes music director of the Microfón label, a post he keeps about fourteen years.[15]Single source

Víctor Lavallén Co-founds the Sexteto Tango, staying nineteen years.[16]Single source

Antonio Agri Solo violin in Piazzolla and Ferrer's María de Buenos Aires.[17]Single source

Osvaldo Berlingieri Records eleven tangos and a milonga for Victor with Troilo's quartet alongside Ubaldo De Lío and Rafael Del Bagno.[18]Single source

Alberto Morán Reunites with Armando Cupo for 24 more titles, recorded through 1970.[19]Single source

Emilio Balcarce Leaves Pugliese and co-founds Sexteto Tango.[20]Single source

Ernesto Baffa | Ubaldo De Lío Wins the Lira de Oro at the Medellín festival.[21]Single source

Carlos Lázzari Composes La pista está que arde.[22]Single source

Arturo Penón Becomes Pugliese's first bandoneon after the founders of Sexteto Tango leave.[23]Single source

Alcides Rossi Co-founds the Sexteto Tango in March.[24]Single source

Nelly Vázquez Starts a solo career; sings at El Estaño de Pepe Basso.[25]Single source

Juan Carlos Lamas Appears in Leopoldo Torre Nilsson's Martín Fierro.[26]Single source

Alberto Echague Begins his third stage with D'Arienzo and tours Japan with the orchestra.[27]Single source

Julian Plaza Co-founds the Sexteto Tango, playing piano.[28]Single source

Ernesto Franco Tours Japan with D'Arienzo's orchestra under Juan Polito; again in 1970.[29]Single source

Juan Carlos Godoy Records with José Basso's orchestra.[30]Single source

Aníbal Troilo Forms a quartet with Ubaldo de Lío, Osvaldo Berlingieri and Rafael del Bagno and records for Victor.[31]Single source

Alberto Mancione Leads a quartet and accompanies Argentino Ledesma in 23 carnival shows.[32]Single source

Jorge Maciel Co-founds Sexteto Tango with Julián Plaza, Osvaldo Ruggiero, Víctor Lavallén, Emilio Balcarce, Oscar Herrero and Alcides Rossi.[33]Single source

Ubaldo De Lío Plays in Aníbal Troilo's quartet; replaced by Aníbal Arias in 1969.[34]Single source

Oscar Herrero Co-founds the Sexteto Tango, which debuts at Caño 14.[35]Single source

Francisco Rotundo In the late 1960s opens La Casa de Rotundo in Liniers, later moved to Villa Luro, with a new orchestra.[36]Single source

Eduardo Rovira Records Sónico with his trio for Show Records.[37]Single source

Héctor de Rosas Two recordings with the Orquesta Símbolo Osmar Maderna under Aquiles Roggero.[38]Single source